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Auenstein Castle was built on a rocky hill above the Aare river in the 13th century for a local nobleman named Gowenstein. Around 1300 it was acquired by the Lord of Rinach. During a war between the Habsburgs and the Old Swiss Confederacy in 1389, a Bernese army sacked and burned the castle. Following the Bernese conquest of the Aargau in 1415, Auenstein became a part of the Landvogtei of Lenzburg. Over the following decades, the Lords of Rinach were not able to rebuild the castle and in 1465 Albrecht von Rinach sold the ruins and surrounding villages to Heinrich Hasfurter from Lucerne.
The castle remained ruined, but over the following centuries the ruined castle and the attached Herrschaft passed through several owners. In 1732 the castle and territory came under direct Bernese control and for the following half century it remained that way. Until the 1798 French invasion and the Helvetic Republic swept away the old medieval system of noble landlords who ruled over villages and estates. With the creation of the Canton of Aargau in the 1803 Act of Mediation the ruins became the property of the new canton.
In the 1850s the ruins were sold to a private owner who began building a new castle from the ruins. By 1858 there was once again a habitable castle on the site. The new castle was sold several times until in the early 20th century Mrs. A. Hoffmann acquired Auenstein. She renovated and expanded the castle and in 1927-29 it reached its current appearance. Today it is private use.
References:The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.