Hallwyl Castle is one of the most important moated castles in Switzerland. It is located on two islands in the River Aabach, just north of the northern end of Lake Hallwil. Since 1925, it has been open to the public, and since 1994 it has been owned by the canton of Aargau and is part of the museum of Aargau.
The first mention of the castle is in the year 1256. However, the originally free noble family of Hallwyl were first mentioned in a testament from 1167. Some discoveries indicate that the castle was founded in the late 12th century. Hallwyl Castle was the home castle of the Lords of Hallwyl, who owned the surrounding land and parts of the lake as their personal property. It consisted of a residential tower with a dry moat. In 1265 the keepwas expanded.
In the early 14th century the dry ditch was converted into a moat. The old castle tower was surrounded by a moat and a wall on what became the Rear Island. To the east of the Rear Island, an artificial island was built in the River Aabach. This island, the Front Island, was outfitted with a curtain wall, and was occupied by residential and commercial buildings. During the conquest of Aargau in 1415 by the Swiss Confederation, the castle (which was known after 1369 as the Ganerbenburg) was burnt by the Bernese troops. The castle was immediately rebuilt and expanded.
After the construction of two turrets in 1500 and 1579-1590 there was an extensive general renovation. After long neglect, the castle was partly rebuilt in neo-Gothic style in 1861 and 1870-74. However, this project was mostly reversed in 1914.
In 1925 the family foundation made an effort to preserve the castle. Since 1994, it has been in possession of the Canton of Aargau.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.