Königsfelden Monastery is a former Franciscan double monastery, which housed both a community of Poor Clare nuns and one of Franciscan friars, living in separate wings. It was founded in 1308 by the Habsburgs. In the course of the Protestant Reformation in Switzerland in 1528 it was secularized, and the complex was then the residence of the bailiffs of Bern.
On May 1, 1308, King Albert I of Austria was murdered by his nephew John Parricida in the community of Windisch. In memory of this event his widow, Elizabeth of Carinthia, founded the monastery about 1310-11 at the site, approximately 200 meters from Brugg. The monastic complex centered around the contemplative life of the nuns, while the small community of friars tended to both their spiritual needs and that of the surrounding community.
Albert and Elisabeth’s oldest daughter, Agnes of Austria, the widow of King Andrew III of Hungary, moved to Königsfelden in 1317 and helped it to thrive, but did not join the monastery.
With the conquest of the Western Aargau by the city of Bern, the monastery lost its connection with the Habsburg family. It was abolished in the course of the success of the Reformation in Switzerland in 1528. The complex then served as the seat of the Bernese bailiffs of the Königsfelden district, a steward took over the administration of former monastic property.
In 1804 the former monastery became the property of the canton of Aargau, which had been founded in the year before. The new canton established a mental hospital. In 1872 a new building was built and since 1887 it has been a psychiatric clinic. During the construction a large part of the Franciscan monastery was demolished.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.