Mirasole Abbey was founded as a monastery of the Humiliati in the first half of the 13th century. Its economy was based on the working of wool and the production of woollen cloth.
The Humiliati were abolished in 1571, and the abbey became the property of the Collegio Elvetico in Milan, which was taken over for the use of the Austrian administration in 1786 (the building is now the Palazzo del Senato); its spiritual life was administered by the Olivetans. In 1797, the former abbey was given to the Ospedale Maggiore of Milan.
In 2013 a community of Premonstratensian canons moved into the former abbey premises as the Priorato San Norberto, a priory of Mondaye Abbey in France.
The rectangular layout includes a church and cloisters. The buildings were once surrounded by a moat, towers and a drawbridge. One entrance led towards the country, the other into the city. The church, dedicated to the Virgin Mary, was constructed in the 14th and 15th centuries. It contains a fresco of the Assumption of the Virgin by an anonymous master of 1460, linked to the school of Michelino da Besozzo.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.