Top Historic Sights in Milan, Italy
Explore the historic highlights of Milan
Milan Cathedral
Milan Cathedral (Duomo di Milano) is the third largest church in the world and it took nearly six centuries to complete. History Saint Ambrose built a new basilica on this site at the beginning of the 5th century, with an adjoining basilica added in 836. When fire damaged both buildings in 1075, they were rebuilt as the Duomo. In 1386, Archbishop Antonio da Saluzzo began construction of the cathedral. In 1389, a ...Galleria Vittorio Emanuele II
The Galleria Vittorio Emanuele II is Italy"s oldest active shopping mall and a major landmark of Milan. Housed within a four-story double arcade in the center of town, the Galleria is named after Victor Emmanuel II, the first king of the Kingdom of Italy. It was designed in 1861 and built by architect Giuseppe Mengoni between 1865 and 1877. The structure consists of two glass-vaulted arcades intersecting ...Royal Palace of Milan
The Royal Palace of Milan (Palazzo Reale di Milano) was the seat of government of the city for centuries. Today it serves as a cultural centre and home to expositions and exhibitions. Originally designed with a structure of two courtyards, the palace was then partially demolished to make room for the Duomo. The palace is located to the right of the facade of the cathedral opposite the Galleria Vittorio Emanuele II. T ...Sforza Castle
Sforza Castle was built in the 15th century by Francesco Sforza, Duke of Milan, on the remnants of a 14th-century fortification. Later renovated and enlarged, in the 16th and 17th centuries it was one of the largest citadels in Europe. Extensively rebuilt by Luca Beltrami in 1891–1905, it now houses several of the city"s museums and art collections. History The original construction was ordered by local lord ...Gallerie di Piazza Scala
The Gallerie di Piazza Scala is a modern and contemporary museum in Milan. Located in Piazza della Scala in the Palazzo Brentani and the Palazzo Anguissola, it hosts 195 artworks from the collections of Fondazione Cariplo with a strong representation of nineteenth century Lombard painters and sculptors, including Antonio Canova and Umberto Boccioni. A new section was opened in the Palazzo della Banca Commerci ...La Scala
La Scala (official name Teatro alla Scala) in Milan is one of the most famous opera houses in the world. The theatre was inaugurated on 3 August 1778. Most of Italy"s greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres in the world and is home to the La Scala Theatre Chorus, La Scala T ...San Babila Church
San Babila was once considered the third most important in the city after the Duomo and the Basilica di Sant"Ambrogio. It is dedicated to saint Babylas of Antioch. At the beginning of the 5th century, Marolus, the bishop of Milan, brought from Antioch to Milan relics of saints Babylas of Antioch and Romanus of Caesarea. Marolus founded the Basilica Concilia Sanctorum or church of San Romano, which stood until the 19 ...San Carlo al Corso
San Carlo al Corso is a neo-classic church in the center of Milan. The church is managed by the Servite Order. The church facade was designed in 1844 by Carlo Amati and was finished in 1847. It then served as a model for the Chiesa Rotonda in San Bernardino, Switzerland, 1867. The complex was built to replace Convent of the Servite founded as early as 1290 and later was suppressed in 1799. The new church was buil ...Pinacoteca di Brera
The Pinacoteca di Brera is the main public gallery for paintings in Milan. It contains one of the foremost collections of Italian paintings. The convent on the site passed to the Jesuits (1572), then underwent a radical rebuilding by Francesco Maria Richini (1627–28). When the Jesuits were disbanded in 1773, the palazzo remained the seat of the astronomical Observatory and the Braidense National Library foun ...Basilica of San Lorenzo
The Basilica of San Lorenzo Maggiore was originally built in Roman times and is one of the oldest churches in Milan. The basilica was built between the late fourth and early fifth centuries. The exact date is uncertain, as are the name of who commissioned it and the circumstances of its foundation. What is certain is that at the time of its construction the basilica was the largest, centrally planned building in the Wes ...Colonne di San Lorenzo
The Colonne di San Lorenzo or Columns of San Lorenzo is a group of ancient Roman ruins, located in front of the Basilica of San Lorenzo in central Milan. The colonnade, consisting mainly of 16 tall Corinthian columns in a row, now fronts an open square. In the 4th century, the columns were moved here, after removal from a likely 2nd century pagan temple or public bath house structure. South of the columns, on ...Basilica of Sant'Ambrogio
One of the most ancient churches in Milan, Basilica of Sant"Ambrogio was built by St. Ambrose in 379–386, in an area where numerous martyrs of the Roman persecutions had been buried. The first name of the church was in fact Basilica Martyrum. In the centuries after its construction, the edifice underwent several restorations and partial reconstructions, assuming the current appearance in the 12th Century, when ...Santa Maria delle Grazie
Santa Maria delle grazie ('Holy Mary of Grace') is a church and Dominican convent in Milan, included in the UNESCO World Heritage sites list. The church contains the mural of The Last Supper by Leonardo da Vinci, which is in the refectory of the convent. The refectory of the Convent of Santa Maria delle Grazie in Milan forms an integral part of this architectural complex, begun in 1463 and reworke ...Porta Sempione
Porta Sempione is a city gate of Milan. The gate is marked by a landmark triumphal arch called Arco della Pace ('Arch of Peace'), dating back to the 19th century, although its origins can be traced back to a gate of the Roman walls of Milan. A gate that roughly corresponds to modern Porta Sempione was already part of Roman walls of Milan. At the time, the gate was meant to control an important road leading to wh ...Biblioteca Ambrosiana
The Biblioteca Ambrosiana is a historic library in Milan, also housing the Pinacoteca Ambrosiana, the Ambrosian art gallery. Named after Ambrose, the patron saint of Milan, it was founded in 1609 by Cardinal Federico Borromeo, whose agents scoured Western Europe and even Greece and Syria for books and manuscripts. Some major acquisitions of complete libraries were the manuscripts of the Benedictine monastery ...Basilica of Sant'Eustorgio
The Basilica of Sant"Eustorgio was for centuries an important stop for pilgrims on their journey to Rome or to the Holy Land, because it was said to contain the tomb of the Biblical Magi or Three Kings. Probably founded in the 4th century, its name refers to Eustorgius I, the bishop of Milan to whom is attributed the translation of the supposed relics of the Magi to the city from Constantinople in 34 ...San Vittore al Corpo
The church and monastery of San Vittore al Corpo was built by the Olivetan order in the early 16th century. The site once had a 4th-century basilica and mausoleum that once held the burials of the emperors Gratian and Valentinian III. The basilica was enlarged in the 8th century to house the relics of the saints Vittore and Satiro. A Benedictine monastery soon was attached to the church. In 1507, the monastery was ...Emperor's Palace Ruins
The Emperor"s Palace in Milan was founded in about 291 AD by emperor Diocletian. Here Constantine and Licinius issued the Edict of Milan in 313 AD. Residential and ambassadorial sectors, private baths and the circus, where the Emperor appeared solemnly to his subjects, and victory in chariot races became symbolic of Imperial victories, took up an entire sector of the city. The only visible traces of this vast ...San Marco Church
According to tradition, the church was dedicated to St. Mark, patron of Venice, after the help given by that city in the war against Frederick Barbarossa in the 12th century. However, the first mention of the church dates from 1254 when the Augustinians built a Gothic style edifice with a nave and two aisles re-using pre-existing constructions. The structure was heavily modified in the Baroque style during the ...Castello Cova
Castello Cova was built between 1910 and 1915 on a design by architect Adolfo Coppedè (brother of the more famous Gino Coppedè), it is an example of Gothic Revival architecture, with guelph-style merlons decorating the external rusticated walls as well as the middle-ages styled tower. The tower of Castello Cova was reportedly an inspiration for the architects of the Velasca Tower, a landmark skyscraper in the cent ...Cimitero Monumentale di Milano
The Cimitero Monumentale is one of the two largest cemeteries in Milan, the other one being the Cimitero Maggiore. It is noted for the abundance of artistic tombs and monuments. Designed by the architect Carlo Maciachini (1818–1899), it was planned to consolidate a number of small cemeteries that used to be scattered around the city into a single location. Officially opened in 1866, it has since then been filled ...Basilica di Santo Stefano Maggiore
Basilica di Santo Stefano Maggiore was established in the 5th century. Originally dedicated to both Saint Zechariah and Saint Stephen, it was later dedicated to Saint Stephen only. Throughout its history, has undergone several reconstructions, expansion and restoration. The original church building was built around the year 417 on the initiative of the future bishop Martinianus. It was destroyed by fire in 1070 and i ...Santa Maria della Passione
Santa Maria della Passione was initially built in 1496 for the Order of Canons Lateran. The church plan as we see today was based on initial designs of Giovanni Antonio Amadeo, but realized as a centralized greek cross design by Giovanni Battagio. The architect Cristoforo Lombardo designed the large dome to replace the prior crumbling structure. By the late 16th century, under the design of Martino Bassi, the nave ...San Nazaro in Brolo
San Nazaro in Brolo church was built by St. Ambrose starting from 382 on the road that connected Milan (then Mediolanum) to Rome. It was originally dedicated to the Apostles, and thus known as Basilica Apostolorum. As explained by an inscription in the church written by Ambrose himself, the church"s plan was on the Greek Cross with apses on the arms, a feature present only in the Church of the Holy Apostles i ...Basilica di San Calimero
The Basilica di San Calimero is a church in Milan, northern Italy. Its name refers to Saint Calimerius (died 190 AD), an early bishop of the city. It dates from the 5th century but was almost completely rebuilt in 1882 by the architect Angelo Colla in an attempt to restore it to the 'original' medieval structure. What remains of the ancient church include: the 16th century crypt, with a noble frescoed ...Basilica of San Simpliciano
The Basilica of San Simpliciano is the second oldest church in the form of a Latin cross, first erected by Saint Ambrose. It is dedicated to Saint Simplician, bishop of Milan. The site of the present church was occupied in the 3rd century AD by a pagan cemetery. There St. Ambrose began the construction of the Basilica Virginum ('Basilica of the Virgins'), which was finished by his successor Simplicianus ...Milan amphitheatre
The Milan amphitheatre was built near the Porta Ticinese in the 2nd-3rd centuries AD when Mediolanum grew as economical and political importance while Rome declined. It remained in use until the city was one of the capitals of the Western Roman Empire (4th or 5th centuries). Later it was abandoned after Christianity imposed an end to arena games, but also as, in the wake of the imperial crisis, animals to be used in the ...Sant'Angelo
Sant"Angelo was constructed in the mid-16th century by the Spanish general and Governor Milan Ferrante Gonzaga, over an edifice already existing in 1418, in replacement of the eponymous one, which had been destroyed to build the new walls. The design was by Domenico Giunti. The small bell tower was added in 1607, while the façade was finished only in 1630, in late-Mannerist or early-Baroque style. The church is ...Garegnano Charterhouse
Garegnano Charterhouse is a former Carthusian monastery located on the outskirts of Milan. It now houses a community of Capuchin Friars. The monastery, dedicated to Saint Ambrose but also known as Our Lady of the Lamb of God, was founded in 1349 by Giovanni Visconti, bishop and lord of Milan. It was then located some 4 kilometers from the walls of Milan. In the 14th century it housed, among others, the poet Petr ...San Vincenzo in Prato
San Vincenzo in Prato is the only church in Milan which has entirely maintained its original Palaeo-Christian appearance. The first church was founded by the Lombard king Desiderius in 770, who dedicated it to the Virgin Mary. Later it was entitled to St. Vincent, when the latter"s relics were found in an urn in the crypt, together with those of St. Quirinus and St. Nicomedes (859) and St. Abundius. The ...Mirasole Abbey
Mirasole Abbey was founded as a monastery of the Humiliati in the first half of the 13th century. Its economy was based on the working of wool and the production of woollen cloth. The Humiliati were abolished in 1571, and the abbey became the property of the Collegio Elvetico in Milan, which was taken over for the use of the Austrian administration in 1786 (the building is now the Palazzo del Senato); its spiritual lif ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Quimper Cathedral
From 1239, Raynaud, the Bishop of Quimper, decided on the building of a new chancel destined to replace that of the Romanesque era. He therefore started, in the far west, the construction of a great Gothic cathedral which would inspire cathedral reconstructions in the Ile de France and would in turn become a place of experimentation from where would later appear ideas adopted by the whole of lower Brittany. The date of 1239 marks the Bishop’s decision and does not imply an immediate start to construction. Observation of the pillar profiles, their bases, the canopies, the fitting of the ribbed vaults of the ambulatory or the alignment of the bays leads us to believe, however, that the construction was spread out over time.
The four circular pillars mark the start of the building site, but the four following adopt a lozenge-shaped layout which could indicate a change of project manager. The clumsiness of the vaulted archways of the north ambulatory, the start of the ribbed vaults at the height of the south ambulatory or the choice of the vaults descending in spoke-form from the semi-circle which allows the connection of the axis chapel to the choir – despite the manifest problems of alignment – conveys the hesitancy and diverse influences in the first phase of works which spread out until the start of the 14th century.
At the same time as this facade was built (to which were added the north and south gates) the building of the nave started in the east and would finish by 1460. The nave is made up of six bays with one at the level of the facade towers and flanked by double aisles – one wide and one narrow (split into side chapels) – in an extension of the choir arrangements.
The choir presents four right-hand bays with ambulatory and side chapels. It is extended towards the east of 3-sided chevet which opens onto a semi-circle composed of five chapels and an apsidal chapel of two bays and a flat chevet consecrated to Our Lady.
The three-level elevation with arches, triforium and galleries seems more uniform and expresses anglo-Norman influence in the thickness of the walls (Norman passageway at the gallery level) or the decorative style (heavy mouldings, decorative frieze under the triforium). This building site would have to have been overseen in one shot. Undoubtedly interrupted by the war of Succession (1341-1364) it draws to a close with the building of the lierne vaults (1410) and the fitting of stained-glass windows. Bishop Bertrand de Rosmadec and Duke Jean V, whose coat of arms would decorate these vaults, finished the chancel before starting on the building of the facade and the nave.
Isolated from its environment in the 19th century, the cathedral was – on the contrary – originally very linked to its surroundings. Its site and the orientation of the facade determined traffic flow in the town. Its positioning close to the south walls resulted in particuliarities such as the transfer of the side gates on to the north and south facades of the towers: the southern portal of Saint Catherine served the bishop’s gate and the hospital located on the left bank (the current Préfecture) and the north gate was the baptismal porch – a true parish porch with its benches and alcoves for the Apostles’ statues turned towards the town, completed by an ossuary (1514).
The west porch finds its natural place between the two towers. The entire aesthetic of these three gates springs from the Flamboyant era: trefoil, curly kale, finials, large gables which cut into the mouldings and balustrades. Pinnacles and recesses embellish the buttresses whilst an entire bestiary appears: monsters, dogs, mysterious figures, gargoyles, and with them a whole imaginary world promoting a religious and political programme. Even though most of the saints statues have disappeared an armorial survives which makes the doors of the cathedral one of the most beautiful heraldic pages imaginable: ducal ermine, the Montfort lion, Duchess Jeanne of France’s coat of arms side by side with the arms of the Cornouaille barons with their helmets and crests. One can imagine the impact of this sculpted decor with the colour and gilding which originally completed it.
At the start of the 16th century the construction of the spires was being prepared when building was interrupted, undoubtedly for financial reasons. Small conical roofs were therefore placed on top of the towers. The following centuries were essentially devoted to putting furnishings in place (funeral monuments, altars, statues, organs, pulpit). Note the fire which destroyed the spire of the transept cross in 1620 as well as the ransacking of the cathedral in 1793 when nearly all the furnishings disappeared in a « bonfire of the saints ».
The 19th century would therefore inherit an almost finished but mutilated building and would devote itself to its renovation according to the tastes and theories of the day.