The Lombardian city of Bergamo is composed of two parts, Città Alta (Upper Town), built up on the hills, and the Città Bassa (Lower Town), which is a lively financial, industrial and administrative centre of national importance.
A milestone in the history of Bergamo was its incorporation into the Venetian State in 1428, which lasted for over three centuries and a half. The two parts of city are separated, both physically and symbolically, by the powerful Venetian Walls, which were built by the Serenissima Republic of Venice in the second half of the 16th century to defend the city, which was the farthermost centre on the Mainland, close to the border with Milan's territory.
The walls never underwent any siege. That is why they remained almost intact to the present day. The system consist of 14 bastions, 2 platforms, 100 embrasures for cannons, 2 armouries, four gates, not to mention the underground structures featuring sallies, passages and tunnels.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.