Palazzo del Te is a palace in the suburbs of Mantua. It is a fine example of the mannerist style of architecture, and the acknowledged masterpiece of Giulio Romano. It was constructed 1524–34 for Federico II Gonzaga, Marquess of Mantua as a palace of leisure. The site chosen was that of the family's stables at Isola Del Te, on the edge of the marshes just outside Mantua's city walls.
Giulio Romano, a pupil of Raphael, was commissioned to design the building. The shell of the palazzo, erected within eighteen months, is basically a square house containing a cloistered courtyard. A formal garden complemented the house, enclosed by colonnaded outbuildings ending in a semicircular colonnade known as the Esedra.
Once the shell of the building was completed, for ten years a team of plasterers, carvers and fresco painters laboured, until barely a surface in any of the loggias or salons remained undecorated. Under Romano's direction, local decorative painters such as Benedetto Pagni and Rinaldo Mantovano worked extensively on the frescos.
In July 1630, during the War of the Mantuan Succession (1628–31), Mantua and the palace were sacked over three days by an Imperial army of 36,000 Landsknecht mercenaries. The remaining populace fell victim to one of the worst plagues in history that the invaders had brought with them. The Palazzo was looted from top to bottom and remained an empty shell: nymphs, god, goddesses and giants remain on the walls of the empty echoing rooms.
Like the Villa Farnesina in Rome, the suburban location allowed for a mixing of both palace and villa architecture. The four exterior façades have flat pilasters against rusticated walls, the fenestration indicating that the piano nobile is the ground floor, with a secondary floor above. The East façade differs from the other three by having Palladian motifs on its pilaster and an open loggia at its centre rather than an arch to the courtyard. The facades are not as symmetrical as they appear, and the spans between the columns are irregular. The centre of the North and South facades are pierced by two-storey arches without portico or pediment, simply a covered way leading to the interior courtyard.
The frescoes are the most remarkable feature of the Palazzo. The subjects range from Olympian banquets in the Sala di Psiche and stylised horses in the Sala dei Cavalli to the most unusual of all — giants and grotesqueswreaking havoc, fury and run around the walls of the Sala dei Giganti. These magnificent rooms, once furnished to complement the ducal court of the Gonzaga family, saw many of the most illustrious figures of their era entertained such as the Emperor Charles V, who, when visiting in 1530, elevated his host Federico II of Gonzaga from Marquess to Duke of Mantua.
One of the most evocative parts of the lost era of the palazzo is the Casino della Grotta, a small suite of intimate rooms arranged around a grotto and loggetta (covered balcony) where courtiers once bathed in the small cascade that splashed over the pebbles and shells encrusted in the floor and walls.
Part of the Palazzo today houses the Museo Civico del Palazzo Te, endowed by the publisher Arnoldo Mondadori. It contains a collection of Mesopotamian art.References:
The Walled City of Jajce is a medieval fortified nucleus of Jajce in Bosnia and Herzegovina, with citadel high above town on top of pyramidal-shaped steep hill, enclosed with approximately 1,300 metres long defensive walls,. It is one of the best preserved fortified capitals of the Bosnian Kingdom, the last stronghold before the kingdom dissolved under the pressure of military advancement at the onset of Ottoman Empire takeover.
The entire complex of the Walled city of Jajce, with the citadel, city ramparts, watchtower Medvjed-kula, and two main city gate-towers lies on the southern slope of a large rocky pyramid at the confluence of the rivers Pliva and Vrbas, enclosed by these rivers from the south-southwest, with the bed of the Pliva, and east-southeast by the river Vrbas gorge.
The fortress was built by Hrvoje Vukčić Hrvatinić, the founder of Jajce. However, the city became the seat of the Bosnian kings, hence the royal coat of arms decoration on the citadel entrance. A part of the wall was built by the Hungarian King, while the Ottomans erected the powder magazine. The walls are high and the castle was built on a hill that is egg shaped, the rivers Pliva and Vrbas also protect the castle. There is no rampart on the south and west.
Jajce was first built in the 14th century and served as the capital of the independent Kingdom of Bosnia during its time. The town has gates as fortifications, as well as a castle with walls which lead to the various gates around the town. About 10–20 kilometres from Jajce lies the Komotin Castle and town area which is older but smaller than Jajce. It is believed the town of Jajce was previously Komotin but was moved after the Black Death.
The first reference to the name of Jajce in written sources is from the year 1396, but the fortress had already existed by then. Jajce was the residence of the last Bosnian king Stjepan Tomasevic; the Ottomans besieged the town and executed him, but held it only for six months, before the Hungarian King Matthias Corvinus seized it at the siege of Jajce and established the Banovina of Jajce.
Skenderbeg Mihajlović besieged Jajce in 1501, but without success because he was defeated by Ivaniš Korvin assisted by Zrinski, Frankopan, Karlović and Cubor.
During this period, Queen Catherine restored the Saint Mary"s Church in Jajce, today the oldest church in town. Eventually, in 1527, Jajce became the last Bosnian town to fall to Ottoman rule. The town then lost its strategic importance, as the border moved further north and west.
Jajce passed with the rest of Bosnia and Herzegovina under the administration of Austria-Hungary in 1878. The Franciscan monastery of Saint Luke was completed in 1885.
The Walled city of Jajce is located at the confluence of the Pliva and Vrbas rivers. It was founded and started developing in the Middle Ages and acquired its final form during the Ottoman period. There are several churches and mosques built in different times during different rules, making Jajce a rather diverse town in this aspect. It is declared National Monument of Bosnia and Herzegovina, and, as the old Jajce city core, including the waterfall, and other individual sites outside the walled city perimeter, such as the Jajce Mithraeum, it is designated as The natural and architectural ensemble of Jajce and proposed as such for inscription into the UNESCO"s World Heritage Site list. The bid for inscription is currently placed on the UNESCO Tentative list.