The history of the Church of Our Lady of the Assumption is closely linked to the Benedictine monastery of St. Mary, which, according to oral tradition, was built when a Byzantine icon of the Virgin was brought to Positano and venerated in our church thereafter.
The abbey allegedly dates back to the second half of the 10h century. It was mentioned for the first time in a manuscript of the late 11th century.
The years of commendatory abbots was mostly negative for our church. Its architectural traces were almost totally lost, while the church started to fall into decay, in spite of continuous reproaches by Amalfi archbishops and a thorough rebuilding at the beginning of the 17th century. The last commendatory abbot, Liborio Manna from Naples, was deprived of his power by the local clergy, which, in 1777, started restoring the church. The works lasted about five years.
The interior has a nave and two aisles, with five arches, corresponding, along the aisles, to five chapels on each side. When approaching the high altar from the entry, we may admire the chapels of St. Blaise, of the Immaculate Conception, of St. Anthony and St. Anne on the right. The altar of the Circumcision is on the right end, with a valuable painting by Fabrizio Santafede (1599). The chapel of St. Steven, on the right of the high altar, houses the wooden statue of Our Lady with Infant Christ. Above the high altar a small temple opens up with a recently restored Byzantine icon. On the apse sides, the walnut chorus features two niches, lodging Our Lady of Sorrows on the right and a valuable Christ at the column by Michele Trilocco (1798) on the left.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.