The history of the Church of Our Lady of the Assumption is closely linked to the Benedictine monastery of St. Mary, which, according to oral tradition, was built when a Byzantine icon of the Virgin was brought to Positano and venerated in our church thereafter.
The abbey allegedly dates back to the second half of the 10h century. It was mentioned for the first time in a manuscript of the late 11th century.
The years of commendatory abbots was mostly negative for our church. Its architectural traces were almost totally lost, while the church started to fall into decay, in spite of continuous reproaches by Amalfi archbishops and a thorough rebuilding at the beginning of the 17th century. The last commendatory abbot, Liborio Manna from Naples, was deprived of his power by the local clergy, which, in 1777, started restoring the church. The works lasted about five years.
The interior has a nave and two aisles, with five arches, corresponding, along the aisles, to five chapels on each side. When approaching the high altar from the entry, we may admire the chapels of St. Blaise, of the Immaculate Conception, of St. Anthony and St. Anne on the right. The altar of the Circumcision is on the right end, with a valuable painting by Fabrizio Santafede (1599). The chapel of St. Steven, on the right of the high altar, houses the wooden statue of Our Lady with Infant Christ. Above the high altar a small temple opens up with a recently restored Byzantine icon. On the apse sides, the walnut chorus features two niches, lodging Our Lady of Sorrows on the right and a valuable Christ at the column by Michele Trilocco (1798) on the left.References:
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne"s court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.