Carrickfergus castle was built by John de Courcy in 1177 as his headquarters, after he conquered eastern Ulster in 1177 and ruled as a petty king until 1204, when he was ousted by another Norman adventurer, Hugh de Lacy. Initially de Courcy built the inner ward, a small bailey at the end of the promontory with a high polygonal curtain wall and east gate. It had several buildings, including the great hall. From its strategic position on a rocky promontory, originally almost surrounded by sea, the castle commanded Carrickfergus Bay, and the land approaches into the walled town that developed beneath its shadows.
The castle appears first in the official English records in 1210 when King John laid siege to it and took control of what was then Ulster's premier strategic garrison. Following its capture, constables were appointed to command the castle and the surrounding area. In 1217 the new constable, De Serlane, was assigned one hundred pounds to build a new curtain wall. The middle-ward curtain wall was later reduced to ground level in the eighteenth century, save along the seaward side, where it survives with a postern gate and the east tower, notable for a fine array of cross-bow loops at basement level.
A chamber on the first floor of the east tower is believed to have been the castle's chapel on account of its fine Romanesque-style double window surround, though the original chapel must have been in the inner ward.
After the collapse of the Earldom of Ulster in 1333, the castle remained the Crown's principal residential and administrative centre in the north of Ireland. During the early stages of the Nine Years War (1595–1603), when English influence in the north became tenuous, crown forces were supplied and maintained through the town's port. And in 1597, the surrounding country was the scene for the Battle of Carrickfergus.
During the sixteenth and seventeenth centuries improvements were made to accommodate artillery, including externally splayed gunports and embrasures for cannon, though these improvements did not prevent the castle from being attacked and captured on many occasions during this time. Marshal Schomberg besieged and took the castle in the week-long Siege of Carrickfergus in 1689.
In 1760, after fierce fighting in the town, it was surrendered to French invaders under the command of Francois Thurot. They looted the castle and town and then left, only to be caught by the Royal Navy.
In 1778, a small but significant event in the American War of Independence began at Carrickfergus, when John Paul Jones, in the face of reluctance by his crew to approach too close to the Castle, lured a Royal Navy vessel from its moorings into the North Channel, and won an hour-long battle. In 1797 the Castle, which had on various occasions been used to house prisoners of war, became a prison and it was heavily defended during the Napoleonic Wars; six guns on the east battery remain of the twenty-two that were used in 1811.
For a century it remained a magazine and armoury. During the First World War it was used as a garrison and ordnance store and during the Second World War as an air raid shelter.
It was garrisoned continuously for about 750 years until 1928, when its ownership was transferred from the British Army to the new Government of Northern Ireland for preservation as an ancient monument. Many of its post-Norman and Victorian additions were then removed to restore the castle's original Norman appearance. It remains open to the public. The banqueting hall has been fully restored and there are many exhibits to show what life was like in medieval times. It was built and re-built three times, and still stands today.
On the day of his wedding, 29 April 2011, Prince William of Wales was created Duke of Cambridge, Earl of Strathearn, and Baron Carrickfergus. The latter title of peerage, along with the geographical barony itself, had been extinct since Victorian times. The title is now only ceremonial with no official connection to the castle.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.