St Anne's Cathedral is unusual in serving two separate dioceses (Connor and Down and Dromore). The foundation stone being laid in 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it; the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated in 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in the Great War. The foundation stone for this was laid in 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated in 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
In 1941 the cathedral was almost destroyed by a German bomb, which caused extensive damage to surrounding properties. In 1955 work began on the construction of the ambulatory, at the east end of the cathedral. This work was dedicated in 1959, but it was not for another ten years that it was possible to begin work on the north and south transepts. The Troubles and inflation led to long delays and major problems with the financing of this work.
The south transept, containing the Chapel of Unity, and with the organ loft above, was dedicated in 1974, and the north transept, with the large Celtic cross designed by John MacGeagh on the exterior, and housing the Chapel of the Royal Irish Rifles, was completed in 1981.
In April 2007 a 40-metre stainless steel spire was installed on top of the cathedral. Named the 'Spire of Hope', the structure is illuminated at night and is part of a wider redevelopment planned for the Cathedral Quarter. The base section of the spire protrudes through a glass platform in the cathedral's roof directly above the choir stalls, allowing visitors to view it from the nave.
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.