The Ulster Museum, located in the Botanic Gardens in Belfast, has around 8,000 square metres of public display space, featuring material from the collections of fine art and applied art, archaeology, ethnography, treasures from the Spanish Armada, local history, numismatics, industrial archaeology, botany, zoology and geology. It is the largest museum in Northern Ireland.
The Ulster Museum was founded as the Belfast Natural History Society in 1821 and began exhibiting in 1833. It has included an art gallery since 1890. Originally called the Belfast Municipal Museum and Art Gallery, in 1929, it moved to its present location in Stranmillis. The new building was designed by James Cumming Wynne.
The museum contains significant finds from Northern Ireland, although in earlier periods these were often sent to the British Museum or later Dublin, as with the Broighter Hoard, now in the National Museum of Ireland. Objects in the museum include the Malone Hoard of 19 polished Neolithic axe heads, the Moss-side Hoard of Mesolithic stone tools, the important Downpatrick Hoard of Bronze Age gold jewellery, part of the Late Roman Coleraine Hoard, the Viking Shanmullagh Hoard, and the medieval coins in the Armagh City Hoard and Armagh Castle Street Hoard.
There are other significant objects of the Bronze Age gold jewellery for which Ireland is notable, including four of the 100-odd surviving gold lunulae, and some important early Celtic art, including a decorated bronze shield found in the River Shannon, and the Bann Disk, bronze with triskele decoration.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.