The history of Sturehof manor date from the Middle Ages. The small village was owned by count and stateman Svante Sture, who was murdered by King Erik XIV. His son Mauritz Sture named the manor as Sturehof. In the next to centuries Sturehov was owned by several powerful noble families like Oxenstiernas and Wrangels.
Johan Liljencrantz , Gustav III's "Finance minister", acquired the property in 1778 as a summer lodge. The farmhouse was burnt and only the two wings from the 1600s was still standing. He let the architect Carl Fredrik Adelcrantz draw a new main building. Adelcrantz was at that time a very famous architect who designed also the Gustav III's opera house in Stockholm. The English garden was built in the 1700s to the north of the manor.
The main building was furnished and decorated by contemporary skilled craftsman and decorative painters, among them Louis Masreliez . As co-owner of Marie porcelain factory had Liljencrantz opportunity to gain Marieberg stoves to their new building. Therefore Sturehov has today the largest collection Marieberg stoves in Sweden, a total of 17 pieces. The most magnificent is "Liljecrantz fireplace”, also drawn to a Swedish stamp. Johan Liljencrantz did not stay long at Sturehov. After his first wife died in 1788 he built Norsborgs mansion and lived there with his new wife, Eleonora.
Today the manor is managed by the Real Estate Department of the municipality. There is a café in the south wing.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.