History of Sweden between 1772 - 1809
In the late 1700s Sweden joined in the Enlightenment culture of the day in the arts, architecture, science and learning. A new law in 1766 established for the first time the principle of freedom of the press—a notable step towards liberty of political opinion. The Academy of Science was founded in 1739 and the Academy of Letters, History, and Antiquities in 1753. The outstanding cultural leader was Carl Linnaeus (1707–78), whose work in biology and ethnography had a major impact on European science.
Following half a century of parliamentary domination came the reaction. King Gustav III (1746–1792) came to the throne in 1771, and in 1772 led a coup d'état, with French support, that established him as an "enlightened despot," who ruled at will. The Age of Freedom and bitter party politics was over. Precocious and well educated, he became a patron of the arts and music. His edicts reformed the bureaucracy, repaired the currency, expanded trade, and improved defense. The population had reached 2.0 million and the country was prosperous, although rampant alcoholism was a growing social problem.
Despite of the resistance of parliament Gustav III declared war to Russia in 1788. He initiated the conflict for domestic political reasons, as he believed that a short war would leave the opposition with no recourse but to support him. The war was first a disaster, but in 1790 Swedish fleet successfully destroyed the Russian fleet in the Battle of Svensksund, regarded as the greatest naval victory ever gained by the Swedish Navy. The Russians lost one-third of their fleet and 7,000 men. A month later, on 14 August 1790, peace was signed between Russia and Sweden at Värälä. Neither side gained any territory.
Due the war and general indignation against Gustav III was assassinated on 29 March 1792 by a conspiracy of nobles angry that he tried to restrict their privileges for the benefit of the peasant farmers.
The ensuing period was a melancholy one. The aristocratic classes loudly complained that the new young king, Gustav IV of Sweden, still a minor, was being brought up among French Jacobins; while the middle classes, deprived of the stimulating leadership of the anti-aristocratic and becoming more and more inoculated with French political ideas, drifted into an antagonism not merely to hereditary nobility, but to hereditary monarchy likewise. Everything was vacillating and uncertain; and the general instability was reflected even in foreign affairs, now that the master-hand of Gustav III was withdrawn. The government of Gustav IV of Sweden was almost a pure autocracy.
After the Russian Emperor Alexander I concluded the 1807 Treaty of Tilsit with Napoleon, he suggested in his letter that the Swedish King Gustav IV Adolf should join the Continental System. The king, who viewed Napoleon as the Antichrist and Britain as his ally against Napoleon's France was apprehensive of the system's ruinous consequences for Sweden's maritime commerce. He instead entered into negotiations with Britain in order to prepare a joint attack against Denmark, whose Norwegian possessions he coveted. In the meantime, the Royal Navy attacked Copenhagen and the Anglo-Russian War was declared. Referring to the treaties of 1780 and 1800, the emperor demanded that Gustav Adolf close the Baltic Sea to all foreign warships. Although he reiterated his demand on November 16, 1807, it took two months before the king responded that it was impossible to honor the previous arrangements as long as the French were in control of the major Baltic ports. King Gustav Adolf did this after securing alliance with England on 8 February 1808. Meanwhile on 30 December 1807 Russia announced that should Sweden not give a clear reply Russia would be forced to act.
Although most Swedish officers were skeptical about their chances in fighting the larger and more experienced Russian army, Gustav Adolf had an unrealistic view of Sweden's ability to defend itself against Russia. In Saint Petersburg, his stubbornness was viewed as a convenient pretext to occupy Finland, thus pushing the Russo-Swedish frontier considerably to the west of the Russian capital and safeguarding it in case of any future hostilities between the two powers. As a result of the Finnish war, the eastern third of Sweden was established as the autonomous Grand Duchy of Finland within the Russian Empire.
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.