History of Sweden between 1772 - 1809
In the late 1700s Sweden joined in the Enlightenment culture of the day in the arts, architecture, science and learning. A new law in 1766 established for the first time the principle of freedom of the press—a notable step towards liberty of political opinion. The Academy of Science was founded in 1739 and the Academy of Letters, History, and Antiquities in 1753. The outstanding cultural leader was Carl Linnaeus (1707–78), whose work in biology and ethnography had a major impact on European science.
Following half a century of parliamentary domination came the reaction. King Gustav III (1746–1792) came to the throne in 1771, and in 1772 led a coup d'état, with French support, that established him as an "enlightened despot," who ruled at will. The Age of Freedom and bitter party politics was over. Precocious and well educated, he became a patron of the arts and music. His edicts reformed the bureaucracy, repaired the currency, expanded trade, and improved defense. The population had reached 2.0 million and the country was prosperous, although rampant alcoholism was a growing social problem.
Despite of the resistance of parliament Gustav III declared war to Russia in 1788. He initiated the conflict for domestic political reasons, as he believed that a short war would leave the opposition with no recourse but to support him. The war was first a disaster, but in 1790 Swedish fleet successfully destroyed the Russian fleet in the Battle of Svensksund, regarded as the greatest naval victory ever gained by the Swedish Navy. The Russians lost one-third of their fleet and 7,000 men. A month later, on 14 August 1790, peace was signed between Russia and Sweden at Värälä. Neither side gained any territory.
Due the war and general indignation against Gustav III was assassinated on 29 March 1792 by a conspiracy of nobles angry that he tried to restrict their privileges for the benefit of the peasant farmers.
The ensuing period was a melancholy one. The aristocratic classes loudly complained that the new young king, Gustav IV of Sweden, still a minor, was being brought up among French Jacobins; while the middle classes, deprived of the stimulating leadership of the anti-aristocratic and becoming more and more inoculated with French political ideas, drifted into an antagonism not merely to hereditary nobility, but to hereditary monarchy likewise. Everything was vacillating and uncertain; and the general instability was reflected even in foreign affairs, now that the master-hand of Gustav III was withdrawn. The government of Gustav IV of Sweden was almost a pure autocracy.
After the Russian Emperor Alexander I concluded the 1807 Treaty of Tilsit with Napoleon, he suggested in his letter that the Swedish King Gustav IV Adolf should join the Continental System. The king, who viewed Napoleon as the Antichrist and Britain as his ally against Napoleon's France was apprehensive of the system's ruinous consequences for Sweden's maritime commerce. He instead entered into negotiations with Britain in order to prepare a joint attack against Denmark, whose Norwegian possessions he coveted. In the meantime, the Royal Navy attacked Copenhagen and the Anglo-Russian War was declared. Referring to the treaties of 1780 and 1800, the emperor demanded that Gustav Adolf close the Baltic Sea to all foreign warships. Although he reiterated his demand on November 16, 1807, it took two months before the king responded that it was impossible to honor the previous arrangements as long as the French were in control of the major Baltic ports. King Gustav Adolf did this after securing alliance with England on 8 February 1808. Meanwhile on 30 December 1807 Russia announced that should Sweden not give a clear reply Russia would be forced to act.
Although most Swedish officers were skeptical about their chances in fighting the larger and more experienced Russian army, Gustav Adolf had an unrealistic view of Sweden's ability to defend itself against Russia. In Saint Petersburg, his stubbornness was viewed as a convenient pretext to occupy Finland, thus pushing the Russo-Swedish frontier considerably to the west of the Russian capital and safeguarding it in case of any future hostilities between the two powers. As a result of the Finnish war, the eastern third of Sweden was established as the autonomous Grand Duchy of Finland within the Russian Empire.
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.