San Miguel de Escalada is located 10 km from the Way of St. James pilgrimage route to Santiago de Compostela. The building is an example of Mozarabic art and architecture or Repoblación art and architecture.
An inscription that has disappeared but was published by Father Risco in 1786 gave information about the church's consecration in 951 by Bishop Genadio of Astorga, around the time of the founding of the Kingdom of León. It was constructed on a site dedicated to Saint Michael, probably a Visigothic church.
The monastery church's nave has three aisles separated by columns and large horseshoe arches, with their apses and a crossing, which is not covered by a cimborio or central tower. The choir is separated from the principal nave by three horseshoe arches sometimes called an iconostasis).
Despite the floor plan, the building appears from the exterior as a rectangular block. All arches take down in marble shafts and Corinthian steeples proceeding from other Visigothic or Roman constructions (as it may be appreciated in a cyma carved as from a gravestone, perhaps from the nearby Roman city of Lancia).
The building has wood panels, which are decorated with paintings from the 15th century.
Architectural highlights include a meridional porch fixed by twelve horseshoe arche), which were built in two different phases: the seven occidental arches, with columns and steeples are in the moorish style, while the Mozarabic work from the 10th century is preserved in the alfiz decorations around the arches.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.