The Convento de San Marcos is today an operating luxury parador hotel. It also contains a consecrated church and museum, and is one of the most important monuments of the Renaissance in Spain. It is one of the greatest architectural jewels of León. It has a highly ornamental plateresque facade.
The origins of this building lie in the twelfth century, in the days of Alfonso VII of León. His sister, the Infanta Sancha of Castile, made a donation in July 1152 to construct a modest building on the outskirts of the walled city. This would be a hospital-temple of shelter for pilgrims travelling the Camino de Santiago. Also, the building was the main residence for the Order of Santiago in the Kingdom of León.
In the sixteenth century, the medieval building was found to be in poor condition, so it was demolished and a new work was carried out thanks to a grant from King Ferdinand in 1514. The new work was not started until well into the reign of Charles I. It is known that the wall of the main facade of the convent was built from the entrance up to the church in 1537, and this was consecrated in 1541. In the following years, architect Orozco constructed the sculptures of the facade, the choir area was completed, and in 1549 Juan de Badajoz finished the sacristy. In 1615, the staircase was built, and in 1679 was completed the still missing part of the cloister. Finally, between 1711 and 1715 there was a large expansion of the building, with another wall being raised that went from the main entrance to the river, and ending at the palace tower.
The darkest period in the monastery of San Marcos's five centuries of history is concentrated in just four years. During the course of the Spanish Civil War cells, rooms, stables, cloisters, church, choir, museum and every fast corner of the building were transformed into impromptu dungeons or jailers' offices. Between July 1936 and the end of 1940, up to 7,000 men and 300 women were imprisoned at the same time. It is estimated that, over the entire war and the period immediately following, the number of Republican militia members and political prisoners that passed through its cells totaled some 20,000. In the province of Leon, around 3,000 deaths are recorded due to the repression, and a good number of these came from the dungeons of San Marcos.
Today, it is a hostel belonging to the state-owned Paradores de Turismo and a church with a museum. It is necessary step in the Camino de Santiago.References:
Tyniec Benedictine abbey was founded by King Casimir the Restorer probably around 1044. Casimir decided to rebuild the newly established Kingdom of Poland, after a Pagan rebellion and a disastrous Czech raid of Duke Bretislaus I (1039). The Benedictines, invited to Tyniec by the King, were tasked with restoring order as well as cementing the position of the State and the Church. First Tyniec Abbot was Aaron, who became the Bishop of Kraków. Since there is no conclusive evidence to support the foundation date as 1040, some historians claim that the abbey was founded by Casimir the Restorer’ son, King Boleslaw II the Generous.
In the second half of the 11th century, a complex of Romanesque buildings was completed, consisting of a basilica and the abbey. In the 14th century, it was destroyed in Tatar and Czech raids, and in the 15th century it was rebuilt in Gothic style. Further remodelings took place in the 17th and 18th centuries, first in Baroque, then in Rococo style. The abbey was partly destroyed in the Swedish invasion of Poland, and soon afterwards was rebuilt, with a new library. Further destruction took place during the Bar Confederation, when Polish rebels turned the abbey into their fortress.
In 1816, Austrian authorities liquidated the abbey, and in 1821-1826, it was the seat of the Bishop of Tyniec, Grzegorz Tomasz Ziegler. The monks, however, did not return to the abbey until 1939, and in 1947, remodelling of the neglected complex was initiated. In 1968, the Church of St. Peter and Paul was once again named the seat of the abbot. The church itself consists of a Gothic presbytery and a Baroque main nave. Several altars were created by an 18th-century Italian sculptor Francesco Placidi. The church also has a late Baroque pulpit by Franciszek Jozef Mangoldt.