The Church of Saint Nicholas, former Selimije Mosque, is a ruined historic church and mosque where the remains of Skanderbeg are said to be preserved in Lezhë, Albania. It is now used as Skanderbeg's Mausoleum.
Originally, the building was a church, named after Saint Nicholas. Until this day, a fresco of the saint is still present in the remains of the church, although heavily damaged. The Church was located in the interior part of a Illyrian City which was later reconstructed by the Romans, in the 1st century BC. Evidence for this is the 'Gaviarius' Stone in front of the entrance, which was unearthed during the Archaeological Excavations in 1975-1980 by Frano Prendi and Koço Zheku.
When the Ottomans conquered Albania, they plundered the church and turned it into a mosque, by adding a dikka, a mihrab and a large minaret. The mosque was named after the OttomanSultan Selim I. The trouble that Skanderbeg caused to the Ottoman Empire's military forces was such that when the Ottomans found the grave of Skanderbeg in the St. Nicolas they opened it and made amulets of his bones, believing that these would confer bravery on the wearer. The St. Nicolas' Church was rebuilt by the Ottomans elsewhere in return as a gesture of tolerance towards Christians.
The Selimiye mosque was one of the last buildings from the Middle Ages in Lezhë and did not survive during the dictatorship of Enver Hoxha, who destroyed all mosques in Lezhë. The minaret of the Selimie mosque was torn down. In 1981, the Skanderbeg Mausoleum opened here.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.