Almería cathedral was built in Gothic and Renaissance architectural styles from 1524 to 1562. Its last bell was built in 1805. It had a dual role: as a place of worship, but also to protect the citizens when pirates attacked the city of Almeria after the Reconquest.
After an earthquake destroyed the previous structure, the cathedral is constructed, like so many churches in Spain, on the site of a mosque. Largely late Gothic/Renaissance in style, the cathedral's defensive structure consists of largely plain walls (apart from the elaborate entrance, Puerta Principal) with small, high windows, all designed to be inviolable to the invasions by North African pirates, which continued for many years after the Moors were expelled from Spain. This is the country's only fortified cathedral dating from the 16th century.
With three naves and three chapels, the magnificent Gothic interior is on a typically grand scale, with ribbed ceiling and soaring arches, featuring Baroque and neo-classical details. The Capilla de la Piedad has some superb paintings - the Anunciacion by Alonso Cano and Murillo's Concepcion Inmaculada, while dog-lovers will enjoy the Capilla de Santo Cristo where the Bishop Villalan, who founded the cathedral, lies in state in his marble tomb, complete with his hound at his feet. The choir stalls, carved from walnut, and the Sacristia Mayor with its fine stone roof, windows and arches, are particularly impressive. The stalls and bishop's tomb are both by Juan de Orea.
The cathedral shows many typically defensive features such as ramparts and artillery loopholes - the four circular corner towers, which look like they belong more on a castle, once held cannons, which could hold off Moorish invaders.
Look out for the carving of a sun on the eastern wall, the Sol de Portocarrero, not a symbol typically seen on religious buildings, which is now used as the logo for Almeria province. The Renaissance north facade is an elaborate mid-16th century design, also by de Orea.
The broad pedestrianised plaza in front of the cathedral is very pleasant, with lofty palm trees and plenty of space to stroll, contemplate the basilica, and for children to run about.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.