Eskilstuna's history dates back to medieval times when English monk Saint Eskil made "Tuna" his base and diocese of the South coast of Lake Mälaren. Saint Eskil was stoned to death by the pagan vikings of neighbouring town Strängnäs, trying to convert them to Christianity. Saint Eskil was buried in his monastery church in Tuna. Later the pagan city of Strängnäs was Christianised and was given the privilege of becoming diocese of South Lake Mälaren.
Later "Eskil" was added in to the word "Tuna". However, the town of Eskilstuna did not receive municipal privileges due to its proximity to the medieval city of Torshälla. The monastery of Saint Eskil was completely destroyed by Swedish king Gustav Vasa during the Protestant Reformation.
The present Kloster Kyrka, a monastery church, was built according to plans by architect Otar Hökerberg . It was opened May 29, 1929. Above the main entrance is a sculpture depicting Saint Eskil. The entrance door to the church is surrounded by paintings of the apostles Paul and Peter. The old altar is high and wide staircases of stone leading up from the nave. The altarpiece from the 1600s is the work of the Flemish master Martin de Vos and represents the shepherds' adoration.References:
The Amphitheatre of the Three Gauls was part of the federal sanctuary of the three Gauls dedicated to the cult of Rome and Augustus celebrated by the 60 Gallic tribes when they gathered at Lugdunum (Lyon). The amphitheatre was built at the foot of the La Croix-Rousse hill at what was then the confluence of the Rhône and Saône.
Excavations have revealed a basement of three elliptical walls linked by cross-walls and a channel surrounding the oval central arena. The arena was slightly sloped, with the building"s south part supported by a now-vanished vault. The arena"s dimensions are 67,6m by 42m. This phase of the amphitheatre housed games which accompanied the imperial cult, with its low capacity (1,800 seats) being enough for delegations from the 60 Gallic tribes.
The amphitheatre was expanded at the start of the 2nd century. Two galleries were added around the old amphitheatre, raising its width from 25 metres to 105 metres and its capacity to about 20,000 seats. In so doing it made it a building open to the whole population of Lugdunum and its environs.