Jimena de la Frontera castle was originally built by the Grenadian Moors of the Umayyad Caliphate ruling over the area of Hispania Baetica (modern Andalusia) in the 8th Century. It served as one of many castles guarding both the approach to the fortifications around Gibraltar and the Bay of Algeciras where the strategic and important Moorish stronghold and fortress of Algeciras was located.
The fortress was likely built over the ruins of the ancient city of Oba which dated to pre Roman Celtiberian period. Given its strategic location on the frontier of the Gibraltar region, this fortress proved an important Moorish stronghold throughout the Muslim domination of the Iberian Peninsula.
The castle was taken by the Jerezanos in 1430 and retaken by the Moorish Kingdom of Granada in 1451. In 1465, it was integrated into the Kingdom of Castille as the property of the crown.
The outer defenses consist of a long irregular wall that is lengthened in places to adapt to the uneven mountainous terrain. Watchtowers line this wall at regular intervals. The most well known tower is the Torre del Reloj or Albarrán (Clock Tower) and together, the towers have a very effective line of sight and defense forming an easily defensible arch of a fire zone. Various trenches also exist, all dug in different eras.
Inside the walls stands the Alcázar which was built or renovated after the Christian takeover of the castle. the Torre del Homenaje, with its large circular dome juts out of the Alcázar at a height of 13 meters making it the tallest tower of the castle. The inside of the Torre del Homenaje hides an earlier polygonal pattern tower that was presumably built over after the Christian takeover.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.