The town of Almodovar del Rio played an extremely important role in the Middle Ages owing to its strategic location on a hill around 252 metres high next to the Guadalquivir river, which at that time was navigable for small vessels. The traces of multiple cultures, amongst which are Islam and Christianity, can be evidenced in the architectural style of this unique building. In the year 756, this fortress became the estate of the Moorish Prince Al’delMalik Ben Qatan and from 758 onwards it passed into the hands of the Emirate of Cordoba in the reign of Abderraman I.
During the 10th century it was tied entirely to the Caliphate of Cordoba, going on to belong in the 10th and 12th centuries to the Taifa of Carmona, subsequently to the Taifa of Sevilla and finally to the Almohad Empire.
The Moorish King Abed Mohammed de Baeza would later die at the gates of the Castle during the 13th century in 1226, the year in which the fort fell into Christian hands having been handed over to Fernando III ‘The Saint’. Henceforth, the castle would go on to be subjected to successive extensions initiated by the Castilian Kings D. Pedro I of Castile and Enrique II of Trastamara. Meanwhile, Alfonso XI ‘The Just’ and Pedro I ‘The Cruel’ would also end up getting involved in these extensions.
The castle has played host to myriad events over the course of its history. Figures such as Doña Juana de Lara (wife of Prince Don Tello, stepbrother of King Pedro I) have been imprisoned within its walls, it has housed the treasures of Castile and its dungeons have been impenetrable witnesses to the agony of illustrious prisoners such as the 1st Duke of Benavente. Amongst other to have figured in its history are governors Don Alfonso Diaz de Vargas, Diego Fernandez de Cordova and Gonzalo Fernandez de Cordova.
Al-Mudawar Al-Adna went on to be called Almodovar del Rio, in reference to the municipality in the province of Cordoba which is home to one of the most magnificent and best kept castles in Spain.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.