The town of Almodovar del Rio played an extremely important role in the Middle Ages owing to its strategic location on a hill around 252 metres high next to the Guadalquivir river, which at that time was navigable for small vessels. The traces of multiple cultures, amongst which are Islam and Christianity, can be evidenced in the architectural style of this unique building. In the year 756, this fortress became the estate of the Moorish Prince Al’delMalik Ben Qatan and from 758 onwards it passed into the hands of the Emirate of Cordoba in the reign of Abderraman I.
During the 10th century it was tied entirely to the Caliphate of Cordoba, going on to belong in the 10th and 12th centuries to the Taifa of Carmona, subsequently to the Taifa of Sevilla and finally to the Almohad Empire.
The Moorish King Abed Mohammed de Baeza would later die at the gates of the Castle during the 13th century in 1226, the year in which the fort fell into Christian hands having been handed over to Fernando III ‘The Saint’. Henceforth, the castle would go on to be subjected to successive extensions initiated by the Castilian Kings D. Pedro I of Castile and Enrique II of Trastamara. Meanwhile, Alfonso XI ‘The Just’ and Pedro I ‘The Cruel’ would also end up getting involved in these extensions.
The castle has played host to myriad events over the course of its history. Figures such as Doña Juana de Lara (wife of Prince Don Tello, stepbrother of King Pedro I) have been imprisoned within its walls, it has housed the treasures of Castile and its dungeons have been impenetrable witnesses to the agony of illustrious prisoners such as the 1st Duke of Benavente. Amongst other to have figured in its history are governors Don Alfonso Diaz de Vargas, Diego Fernandez de Cordova and Gonzalo Fernandez de Cordova.
Al-Mudawar Al-Adna went on to be called Almodovar del Rio, in reference to the municipality in the province of Cordoba which is home to one of the most magnificent and best kept castles in Spain.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.