The Alcázar de los Reyes Cristianos ('Castle of the Christian Monarchs') served as one of the primary residences of Isabella I of Castile and Ferdinand II of Aragon. It forms part of the Historic Center of Córdoba that was declared a World Heritage Site by UNESCO in 1994.
In early medieval times, the site was occupied by a Visigoth fortress. When the Visigoths fell to the Umayyad conquest of Hispania, the emirs of the Umayyad Caliphate in Damascus rebuilt the structure. The Umayyads fell to the Abbasid Caliphate and the surviving member of the Umayyad Dynasty, Abd ar-Rahman I, fled to Córdoba. Abd ar-Rahman I's successors established the independent Caliphate of Córdoba and used the Alcázar as their palace. The city subsequently flourished as a key political and cultural center, and the Alcázar was expanded into a very large and widely used area with baths, gardens, and the largest library in the West. Watermills on the nearby Guadalquivir powered water lifting to irrigate the extensive gardens.
In 1236, Christian forces took Córdoba during the Reconquista. In 1328, Alfonso XI of Castile began building the present day structure on part of the site for the old fortress. Other parts of the Moorish Alcázar had been given as spoils to the bishop, nobles, and the Order of Calatrava. Alfonso's structure retained only part of the Moorish ruins but the structure appears Islamic due to Alfonso's use of the Mudéjar style.
The Alcázar was involved in the civil war where Henry IV of Castile faced a rebellion that backed his teenage half-brother Alfonso. During the war, the Alcázar's defenses were upgraded to deal with the advent of gunpowder. At the same time, the Alcázar's main tower, now known as the 'Tower of the Inquisition' was constructed.
Henry's successor, Isabella and her husband, Ferdinand, used the Alcázar for one of the first permanent tribunals of the Spanish Inquisition and as a headquarters for their campaign against the Nasrid dynasty in Granada, the last remaining Moorish kingdom in the Iberian Peninsula. The Inquisition began using the Alcázar as one of its headquarters in 1482, converting much of it, including the Arab baths, into torture and interrogation chambers. The Inquisition maintained a tribunal here for three centuries. Boabdil was held prisoner here in 1483 until he promised to make Granada a tributary state. When Boabdil refused to surrender his kingdom in 1489, the Christians launched an attack. Isabella and Ferdinand's campaign against Granada succeeded in 1492. The same year, the monarchs met Christopher Columbus in the Alcázar as he prepared to take his first voyage to the Americas.
The Alcázar served as a garrison for Napoleon Bonaparte's troops in 1810. In 1821, the Alcázar became a prison. Finally, the Spanish government made the Alcázar a tourist attraction and national monument in the 1950s.
The architectural ensemble has a sober character in its exterior and splendid in its interior, with the magnificent gardens and courtyards that maintain a Mudéjar inspiration. The outdoor area of the Alcázar is situated within the walls of the four towers (Paloma, Leones, Homenaje and Inquisición), this creating an almost square shape to the building.
The main hall of the building, constructed in the 18th century, is referred to as the “Hall of Mosaics”, given the impressive Mosaics that can be found within the hall. The mosaics on show were discovered at the Corredera Square (Plaza de la Corredera) and formed part of the Roman Circus, as well as a sarcophagus from the 3rd Century. Beneath the current floor of the hall, it is still possible to discover the remains of which are believed to be from the Royal Baths which were used by high dignitaries during the Muslim era.
The Royal Baths were constructed in 1328 by King Alfonso the 11th. They were structured into four rooms: the changing room, the cold room, the temperate room and the hot room.
The old Alcázar orchard has been transformed into an impressive area of approximately 55,000m² of magnificent gardens with forest species including palm, cypress, orange and lemon trees, which surround a number of elegant fountains and ponds. The gardens are structured on three levels: the upper garden, the middle garden and the lower garden.
The King's walk (El paseo de los reyes) is a walk bordered by a line of cylindrical cypress trees and is also divided into two paths by two narrow ponds. On this walk, there are several sculptures of the Kings who built the Alcázar, which are located on pedestals aligned between the hedges.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.