The Alcázar de los Reyes Cristianos ('Castle of the Christian Monarchs') served as one of the primary residences of Isabella I of Castile and Ferdinand II of Aragon. It forms part of the Historic Center of Córdoba that was declared a World Heritage Site by UNESCO in 1994.
In early medieval times, the site was occupied by a Visigoth fortress. When the Visigoths fell to the Umayyad conquest of Hispania, the emirs of the Umayyad Caliphate in Damascus rebuilt the structure. The Umayyads fell to the Abbasid Caliphate and the surviving member of the Umayyad Dynasty, Abd ar-Rahman I, fled to Córdoba. Abd ar-Rahman I's successors established the independent Caliphate of Córdoba and used the Alcázar as their palace. The city subsequently flourished as a key political and cultural center, and the Alcázar was expanded into a very large and widely used area with baths, gardens, and the largest library in the West. Watermills on the nearby Guadalquivir powered water lifting to irrigate the extensive gardens.
In 1236, Christian forces took Córdoba during the Reconquista. In 1328, Alfonso XI of Castile began building the present day structure on part of the site for the old fortress. Other parts of the Moorish Alcázar had been given as spoils to the bishop, nobles, and the Order of Calatrava. Alfonso's structure retained only part of the Moorish ruins but the structure appears Islamic due to Alfonso's use of the Mudéjar style.
The Alcázar was involved in the civil war where Henry IV of Castile faced a rebellion that backed his teenage half-brother Alfonso. During the war, the Alcázar's defenses were upgraded to deal with the advent of gunpowder. At the same time, the Alcázar's main tower, now known as the 'Tower of the Inquisition' was constructed.
Henry's successor, Isabella and her husband, Ferdinand, used the Alcázar for one of the first permanent tribunals of the Spanish Inquisition and as a headquarters for their campaign against the Nasrid dynasty in Granada, the last remaining Moorish kingdom in the Iberian Peninsula. The Inquisition began using the Alcázar as one of its headquarters in 1482, converting much of it, including the Arab baths, into torture and interrogation chambers. The Inquisition maintained a tribunal here for three centuries. Boabdil was held prisoner here in 1483 until he promised to make Granada a tributary state. When Boabdil refused to surrender his kingdom in 1489, the Christians launched an attack. Isabella and Ferdinand's campaign against Granada succeeded in 1492. The same year, the monarchs met Christopher Columbus in the Alcázar as he prepared to take his first voyage to the Americas.
The Alcázar served as a garrison for Napoleon Bonaparte's troops in 1810. In 1821, the Alcázar became a prison. Finally, the Spanish government made the Alcázar a tourist attraction and national monument in the 1950s.
The architectural ensemble has a sober character in its exterior and splendid in its interior, with the magnificent gardens and courtyards that maintain a Mudéjar inspiration. The outdoor area of the Alcázar is situated within the walls of the four towers (Paloma, Leones, Homenaje and Inquisición), this creating an almost square shape to the building.
The main hall of the building, constructed in the 18th century, is referred to as the “Hall of Mosaics”, given the impressive Mosaics that can be found within the hall. The mosaics on show were discovered at the Corredera Square (Plaza de la Corredera) and formed part of the Roman Circus, as well as a sarcophagus from the 3rd Century. Beneath the current floor of the hall, it is still possible to discover the remains of which are believed to be from the Royal Baths which were used by high dignitaries during the Muslim era.
The Royal Baths were constructed in 1328 by King Alfonso the 11th. They were structured into four rooms: the changing room, the cold room, the temperate room and the hot room.
The old Alcázar orchard has been transformed into an impressive area of approximately 55,000m² of magnificent gardens with forest species including palm, cypress, orange and lemon trees, which surround a number of elegant fountains and ponds. The gardens are structured on three levels: the upper garden, the middle garden and the lower garden.
The King's walk (El paseo de los reyes) is a walk bordered by a line of cylindrical cypress trees and is also divided into two paths by two narrow ponds. On this walk, there are several sculptures of the Kings who built the Alcázar, which are located on pedestals aligned between the hedges.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.