The Castle of Cabra was raised, within the walled enclosure in the North West of the present town, on a spot high enough to overlook the whole town. It is said that it had a central square surrounded by a strong wall with eighteen towers where eight or ten thousand men could march. At present, most of what remains, it is enclosed within the constructions of the present School of the Escolapias. Among the constructions we have been able to locate the wall, of which something more than half still remains and to track the rest until we were able to determine, quite accurately, the plant of the enclosure which must have been quadrangular, of about 76x47m. The thickness of the walls is about two meters and sixty centimetres, approximately. The fact that the rest of the walls- and possibly of towers are surrounded by modern constructions hinders their thorough study.
As far as the towers are concerned, we can say that two of them are well known, plus the location of other two, that were to the sides of the present front door to the enclosure. In the centre of the East wall and half way out is the tower of Homage. It is almost square shaped and it is more than twenty meters high. At about eleven meter above ground level there is a squared chamber with an eight sided vault ceiling with tubes in the angles. The other tower is located in the northwest angle. It is of squared plant, with the angle that looks to the interior of the chamfered enclosure. The lower part is massive and in the upper part there is a chamber with a barrel vault. It still keeps about ten meters of its height and its maximum surface on the plant is 6.5×6.3m.
Of the other two acknowledged towers there only remain their foundations upon which modern constructions have risen.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.