The Mount Ursino Castle was destroyed by a fire around 900 and rebuilt on the hill. It is mentioned in 1004 in a document and defined fortified village. After the construction of a first tower on top of the hill, the fortress was enlarged repeatedly until reaching its present form around the 15th century, embracing even the baby village in the Piana, current historical center, while it was gradually abandoned that in hill. Supporters of this structure medieval military were mainly the Del Carretto family, the feudal lords of Noli. The castle was able to control both the sea and the coast that the old Roman road passing in the hill in the locality of Voze, and used until the 18th century.
The castle is formed on the top by a cylindrical tower, surrounded by massive walls and from the accommodation for the troop. From this main core descended two walled perimeters, largely still preserved today, which embraced the whole hill and subsequently also the village downstream. Circular towers susseguivano it at regular intervals along the sloping walls on the sides of the Monte Ursino. The access doors were defended by a singular system still today partly preserved that was constituted by an external tower to walls and connected thereto via a walkway in masonry. This allowed to defend the access doors from the outside by hitting enemies from behind. The castle and the walls of the village are among the examples of medieval fortification best preserved in the Ligurian Ponente.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.