The Lighthouse of Genoa (Lanterna di Genova) serves as a symbol and a landmark for Genoa. Built of masonry, at 76 m it is the world's fifth tallest lighthouse and the second tallest 'traditional' one. Between 1543 and the construction of the lighthouse on Île Vierge, France in 1902, it was the tallest lighthouse in the world. When measured as a whole with the natural rock on which it stands, as it is commonly perceived and represented, its height is 117 m, which would make it the second tallest lighthouse in the world, the tallest in Europe, and the tallest traditional lighthouse.
It is constructed in two square portions, each one capped by a terrace; the whole structure is crowned by a lantern from which the light is shone.
The tower was shelled during the bombardment of Genoa by the French in 1684; the windows which were damaged were replaced on the orders of Louis XIV in 1692. In 1778 construction began on a new lighting system designed to counteract damage done to the lighting apparatus over several centuries of use. In 1840 a rotating Fresnel lens was installed; the system was formally inaugurated in January 1841. It was modified up until the end of the century in order to increase its capability; the entire lighthouse was modernised again in 1913, but the electrification was poorly done, and had to be refitted in 1936. One last major restoration project, begun after American and British air attacks of World War II, was completed in 1956. It is also the symbol surrounding the Derby della Lanterna between two football clubs, Genoa C.F.C. and U.C. Sampdoria.
Adjacent to the tower is the Museo della Lanterna. The museum mainly covers the history of the city and the port, and contains a good deal of archival material. Some of the displays also cover the history of navigation and navigational aids in Genoa, and describe various signaling systems that have been used at sea. Part of a Fresnel lens, similar to that found in the lighthouse itself, is shown in such a manner as to display its inner workings. In addition to the permanent displays, temporary exhibits are also sometimes shown at the museum.References:
The Palace of the Kings of Navarre of Olite was one of the seats of the Court of the Kingdom of Navarre, since the reign of Charles III 'the Noble' until its conquest by Castile (1512). The fortification is both castle and palace, although it was built more like a courtier building to fulfill a military function.
On an ancient Roman fortification was built during the reign of Sancho VII of Navarre (13th century) and extended by his successors Theobald I and Theobald II, which the latter was is installed in the palace in 1269 and there he signed the consent letter for the wedding of Blanche of Artois with his brother Henry I of Navarre, who in turn, Henry I since 1271 used the palace as a temporary residence. This ancient area is known as the Old Palace.
Then the palace was housing the Navarrese court from the 14th until 16th centuries, Since the annexation (integration) of the kingdom of Navarre for the Crown of Castile in 1512 began the decline of the castle and therefore its practically neglect and deterioration. At that time it was an official residence for the Viceroys of Navarre.
In 1813 Navarrese guerrilla fighter Espoz y Mina during the Napoleonic French Invasion burned the palace with the aim to French could not make forts in it, which almost brought in ruin. It is since 1937 when architects José and Javier Yarnoz Larrosa began the rehabilitation (except the non-damaged church) for the castle palace, giving it back its original appearance and see today. The restoration work was completed in 1967 and was paid by the Foral Government of Navarre.