User Reviews
Pietra di Vobbia Castle is a rare example of contamination between the work of men and nature, the Castle of Pietra overlooks the Scrivia Valley. An unconquerable fortress, it is built between two rock towers. Recently restored, you can visit it today in all its ancient charm.
Embedded between two rock towers and perfectly integrated with nature, the castle of Pietra di Vobbia has retained the typical atmosphere of the impregnable medieval fortresses, a symbol of the feudal power of its rulers.The castle was built around the year 1000 to preside over the road connecting Vobbia to Canton Island, Via del Sale (Salt Road) to Postumia road.
Its name originates from Opizzone della Pietra, a family in charge of the feud. You can see only a part of it from the valley, and this already tells a lot about how difficult it was to seize it. Like in 1200, when the Republic of Genoa itself had to step in to rescue two men held captive by the Opizzone family. From here, in fact you can control the roads of four provinces (Genoa, Alessandria, Pavia and Piacenza) and, thanks to a clever reference system, a message could quickly be sent from the port of Genoa to Tortona.Its peculiar location made its restoration a complicated affair too; started in 1970, restoration work has now been completed and everyone can visit it.
References:The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.