Triora is a picturesque village in a lovely setting of wooded valleys well into the Ligurian hills of north-west Italy. Triora is officially classified among the most beautiful villages in Italy.
The centuries-old village of Triora is at the foot of the Trono Mountain, overlooking the Argentina valley, where it preserves almost intact its medieval appearance. In the heart of the village you will enjoy exploring the ancient alleys, arched passages and steep pathways of what is claimed to be one of the oldest villages in Liguria.
Triora was strongly marked by the events arising from the witchcraft trial that involved many women of the village. In the small town center the Ethnographic Museum of Witchcraft has been set up to reconstruct the ancient rural life and the records of the famous trial of 1588, still much discussed by writers and critics, and immortalizing the memory of an event that has been likened in importance to the famous Salem witch trials.
The Collegiate Church of Triora, dating from the 16th century, was extensively renovated in the late18th century. Inside there are remarkable works of art, among which a painting on wood by the Sienese painter Taddeo di Bartolo (1362-1422) stands out - he was active in Liguria towards the end of the 14th century, and in 1397 painted a grand picture of “The Baptism of Christ' for the Collegiate Church.
Close to the Parish Church is the Chapel of Saint John the Baptist. In this small chapel there are sculptures by Anton Maria Maragliano [1664-1741], the creator of a beautiful wooden crucifix, and other works by Taddeo di Bartolo. Anton Maria Maragliano enjoyed wide respect and esteem by eminent men of his time.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.