The Doria Castle of Portovenere is a proper example of Genoese military architecture, even though it has undergone some structural modifications due to the progress of fortifications and firearms. When you first glance at Castello Doria, it looks like one solid piece. But it actually consists of two distinct parts positioned at different levels and enclosed in large Cyclopean walls.
The exact date of construction of the first fortified building is still unknown. Historic documents mention it for the first time in 1139, when the Republic of Genoa took control of the hamlet of Porto Venere. The current castle was built on the remains of the more ancient structure in 1161.
In the 13th century, the castle was at the center of the battles between Genoa and Pisa. It ended up under Nicolò Fieschi’s large fief, to eventually return under the control of the Republic of Genoa in 1276. Major reconstruction works took place between the 15th and 17th centuries, to modernize the castle according to the military and architectonic criteria of the time. At the beginning of the 19th century, during the French rule under Napoleon Bonaparte, the Castello Doria was used as a prison.
Today, this ancient fortress belongs to the Municipality of Portovenere. It underwent a series of accurate restoration works in the 1970s. Apart from welcoming hundreds of visitors for some historic sightseeing and panoramic views of the Bay of Poets, it is also a venue that hosts cultural events, art exhibitions and weddings.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.