Riomaggiore is the most southern village of the five Cinque Terre, all connected by trail. The water and mountainside have been declared national parks.
The village, dating from the early thirteenth century, is known for its historic character and its wine, produced by the town's vineyards. Riomaggiore is in the Riviera di Levante region and has a shoreline on the Mediterranean's Gulf of Genoa, with a small beach and a wharf framed by tower houses. Riomaggiore's main street is Via Colombo, where numerous restaurants, bars, and shops can be found.
The Via dell'Amore is a path connecting Riomaggiore to its frazione Manarola, also part of the Cinque Terre.
Riomaggiore inspired paintings by Telemaco Signorini (1835–1901), one of the artists of the Macchiaioli group.
The main religious sights are the church of San Giovanni Battista (built in 1340 in gothic style), and the church of San Lorenzo (1338) with its beautiful rose window dating back to the 14th century. From the castle (built in 1260) you can enjoy a wonderful sight over the sea.
About 350 metres from the sea, along the coast road connecting the Cinque Terre with La Spezia, you can find the Sanctuary of Madonna di Montenero; enjoy the breathtaking panoramic view of the whole coastal line of the Cinque Terre.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.