The Convent of Monterosso al Mare, property of the Order of Capuchin Friars Minor of the province of Genoa, has always been a landmark both for the local community and for visitors to the Cinque Terre.
From the history of Monterosso, it is clear how the Capuchin Friars have always been part of the community and a reliable spiritual reference. The Monterosso population has always loved and respected the Convent, which, together with the Sanctuary of the Madonna of Soviore, represents a deeply intense reference point of devotion.
Local residents have always had a particular veneration for this site. It has always been held in great reverence and is greatly loved by the population.
It overlooks the Monterosso Bay and is located on the promontory that separates the ancient part of the town from the Fegina locality, which has sprung up in recent times.
The convent is visible from all parts of the Cinque Terre and is a prime attraction for tourists, thanks to its historical and artistic treasures. They are reminiscent of the 1600 building in Capuchin style, with the altar and choir in wood. Among its works of art is a 'Crucifixion', attributed to Van Dyck and 'Saint Girolamo the penitent' by Luca Cambiaso. The refectory with its vaulted ceiling features Strozzi’s 'Veronica'. The convent has maintained the characteristics typical of the time of its origins, in addition to the sublime view invites contemplation.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.