Corniglia is a frazione within the comune of Vernazza. Unlike the other localities of the Cinque Terre, Corniglia is not directly adjacent to the sea. Instead, it is on the top of a promontory about 100 metres high, surrounded on three sides by vineyards and terraces, the fourth side descends steeply to the sea.
The origin of the village dates back to the Roman Age as testified by the name, which finds its roots in Gens Cornelia, the Roman family to whom the land belonged. In the Middle Ages it was a possession of the counts of Lavagna, the lords of Carpena and of Luni. In 1254 Pope Innocent IV gave it to Nicolò Fieschi, who held it until 1276, when the village was acquired by the Republic of Genoa.
Documents dating from 1276-77 mention the existence of a castle. However, remains of the castle have yet to be discovered and the location of the castle grounds is unknown. The only ruins in Corniglia belong to Genoese fortifications, a stronghold on a cliff plunging into the sea, which dates back to approximately 1556.
Corniglia is characterised by narrow roads and a terrace in the rock from which all other four Cinque Terre's villages, two on one side and two on the other, can be seen. The town planning structure presents original characteristics compared to those of the other villages: the houses are lower set, and only more recently higher, similar to those of the villages of the hinterland.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.