The Raseborg or Raasepori Castle is one the five remaining medieval castles in Finland. It was founded by Bo Jonsson Grip and it is thought that the castle's first phase was completed sometime between 1373 and 1378. The first written data about the castle is from 1378. Its main purpose was to protect Sweden's interests in southern Finland against the Hanseatic city of Tallinn. The castle was originally built on a small island in the north end of a sea bay. The historians think that the castle was built in 3 different stages over time from the 14th to the 16th century.
The ruins of the outer wall of the castle do still exist. According to the historians the outer wall was built to protect the foundations of the castle itself. When the use of the artillery got more common, it was vital to protect the basic walls of the castle. There was also one more protection outside the castle. That was a wooden barrier, which surrounded the castle and it prevented any foreign ships to approach the castle harbour. There still exists some small parts of that barrier. The barriers are today on the mainland, but in the 15th century they were located on a peninsula by the sea. The sea level became lower over time due to postglacial rebound, and it became increasingly difficult to approach the castle by boat. This is one of the main reasons why the castle lost its importance.
Battles were fought between Swedish and Danish forces and even pirates over control of the castle in the Middle Ages. The castle was abandoned in 1553, three years after Helsinki was founded in 1550 and Helsinki became strategically more important. Restoration work began in the 1890s and in these days the castle ruins are open to the public.References:
Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.