The Raseborg or Raasepori Castle is one the five remaining medieval castles in Finland. It was founded by Bo Jonsson Grip and it is thought that the castle's first phase was completed sometime between 1373 and 1378. The first written data about the castle is from 1378. Its main purpose was to protect Sweden's interests in southern Finland against the Hanseatic city of Tallinn. The castle was originally built on a small island in the north end of a sea bay. The historians think that the castle was built in 3 different stages over time from the 14th to the 16th century.
The ruins of the outer wall of the castle do still exist. According to the historians the outer wall was built to protect the foundations of the castle itself. When the use of the artillery got more common, it was vital to protect the basic walls of the castle. There was also one more protection outside the castle. That was a wooden barrier, which surrounded the castle and it prevented any foreign ships to approach the castle harbour. There still exists some small parts of that barrier. The barriers are today on the mainland, but in the 15th century they were located on a peninsula by the sea. The sea level became lower over time due to postglacial rebound, and it became increasingly difficult to approach the castle by boat. This is one of the main reasons why the castle lost its importance.
Battles were fought between Swedish and Danish forces and even pirates over control of the castle in the Middle Ages. The castle was abandoned in 1553, three years after Helsinki was founded in 1550 and Helsinki became strategically more important. Restoration work began in the 1890s and in these days the castle ruins are open to the public.References:
The Cathedral of Limburg is one of the best preserved late Romanesque style buildings. It is unknown When the first church was built above the Lahn river. Archaeological discoveries have revealed traces of a 9th-century church building in the area of the current chapel. It was probably built in Merovingian times as a castle and the chapel added in the early 9th century.
In 910 AD, Count Konrad Kurzbold (cousin of the future King Konrad I) founded a collegiate chapter of 18 canons, who lived according to the rule of Bishop Chrodegang of Metz, on the hilltop site. The original castle chapel was torn down and a three-aisled basilica was built in its place. The foundations of this basilica have been found beneath the present floor.
The construction of current cathedral is dated to 1180-90. The consecration was performed in 1235 by the archbishop of Trier. It seems certain that the cathedral was built in four stages. The first stage encompassed the west facade, the south side aisle, the choir and the transept up to the matroneum. This section forms the Conradine church. The second stage consisted of the addition of the inner pillars of the south nave. In this stage the bound system was first introduced. In the third phase, the matroneum in the southern nave was built. The fourth stage included the north side of the transept and the choir matroneum. By this stage Gothic influence is very clear.
The interior was destroyed by Swedish soldiers during the Thirty Years War (1618-48) and reconstructed in a late Baroque style in 1749. The Baroque renovation was heavy-handed: the surviving medieval stained glass windows were replaced; all the murals were covered up; the ribs of the vaults and columns of the arcades were painted blue and red; the capstones were gilded; the original high altar was replaced. The colorfully painted exterior was coated in plain white and the central tower was extended by 6.5 meters.
The collegiate chapter of Limburg was dissolved in 1803 during the Napoleonic period, but then raised to the rank of cathedral in 1827 when the bishopric of Limburg was founded. Some renovations in contemporary style followed: the walls were coated white, the windows were redone in blue and orange (the heraldic colors of the Duke of Nassau) and towers were added to the south transept (1865).
Further changes came after Limburg was incorporated into the Kingdom of Prussia in 1866. It was now the Romantic period and the cathedral was accordingly restored to an idealized vision of its original Romanesque appearance. The exterior stonework was stripped of all its plaster and paint, to better conform with the Romantic ideal of a medieval church growing out of the rock. The Baroque interior was stripped away and the wall paintings were uncovered and repainted.
Further renovations came in 1934-35, enlightened by better knowledge of the original art and architecture. Art Nouveau stained glass windows were also added. A major restoration in 1965-90 included replastering and painting the exterior, both to restore it to its original appearance and to protect the stonework, which was rapidly deteriorating while exposed to the elements.
The interior is covered in medieval frescoes dating from 1220 to 1235. They are magnificent and important survivals, but time has not been terribly kind to them - they were whitewashed over in the Baroque period (1749) and uncovered and repainted with a heavy hand in the Romantic period (1870s) before finally being restored more sensitively in the 1980s.