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Founded: 1649-1900Category: Industrial sites in Finland
Historical period: Swedish Empire (Finland)
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Fiskars is the best known of a number of ironworks villages that were established in the early 17th century to the Pohja area. A crushing mill was established by the lower rapids in 1649, with a blastfurnace on the opposite bank. The founder of Fiskars ironworks was the Dutch businessman Peter Thorwöste, who was allowed by Queen Christina of Sweden to manufacture cast iron and forged products, with the exception of cannons.
The Russian occupation of Finland (the Great Wrath) affected also Fiskars. Nearby was a center of Russian civilian and military administration, and in 1713 the ironworks at Fiskars and Antskog were plundered and wrecked by the Russians.
The heyday in the history of Fiskars began in 1822 when it was bought by Johan Julin (1787-1853). Under Julin, work at the ironworks focused on refining iron. The ironworks and the village of Fiskars started to grow quickly. In 1850 there were about 500-600 employees and the total number of inhabitants was approximately 1400. Throughout the period from into the 1960s, Fiskars purchased several works and companies in the steel business. In the 20th century the industrial operations required more up-to-date facilities, production was moved to Billnäs.
Today there are many workshops and boutiques providing Finnish handicrafts, arts and design thoughout the Fiskars village and visitors can spend time just wandering around in the beautiful ironworks area.
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.