Top Historic Sights in Verona, Italy
Explore the historic highlights of Verona
Verona Amphitheatre
The Verona Arena is a Roman amphitheatre built in 1st century. It is still in use today and is internationally famous for the large-scale opera performances given there. It is one of the best preserved ancient structures of its kind. In ancient times, nearly 30,000 people was the housing capacity of the Arena. The building itself was built in AD 30 on a site which was then beyond the city walls. The round façade o ...Scaliger Tombs
The Scaliger Tombs is a group of five Gothic funerary monuments in Verona, celebrating the Scaliger family, who ruled in Verona from the 13th to the late 14th century. The tombs are located in a court of the church of Santa Maria Antica, separated from the street by a wall with iron grilles. Built in Gothic style, they are a series of tombs, most of which are in the shape of a small temple and covered by a baldachin. Acc ...Castelvecchio
Castelvecchio ('Old Castle') is the most important military construction of the Scaliger dynasty that ruled the city in the Middle Ages. The castle stands on the probable location of a Roman fortress outside the Roman city. Lord Cangrande II della Scala had it built along with its bridge across the Adige River as a deterrent to his powerful neighbors such as Venice, the Gonzaga and the Sforza families. Construction was ca ...Roman Theatre
The Roman theatre of Verona should not to be confused with the Roman amphitheatre known as the Verona Arena. The theatre was built in the late 1st century BC. Before its construction, two walls were built alongside the Adige River, between the Ponte di Pietra and the Ponte Postumio, to protect it against floods. Today only remains of the edifice are visible, recovered starting from around 1830. They include the cavea and ...Ponte Pietra
The Ponte Pietra (Italian for 'Stone Bridge'), is a Roman arch bridge crossing the Adige River in Verona. The bridge was completed in 100 BC, and the Via Postumia from Genoa to Aquileia passed over it. It is the oldest bridge in Verona. It originally flanked another Roman bridge, the Pons Postumius; both structures provided the city (on the right bank) with access to the Roman theatre on the east bank. The arch nearest t ...Sant Anastasia Church
Sant"Anastasia church building started in 1280 and completed in 1400, designed by the Dominican friars. It took its name from a pre-existing temple built by King Theoderic the Great upon which was built the actual church. Since 1307, it is in fact co-entitled to St. Peter of Verona, martyr and co-patron of the city. Consecrated only in 1471, until 1808 the church was held by the Dominicans. The 72 mt tall belltower ...Verona Cathedral
Verona Cathedral was erected after two Palaeo-Christian churches on the same site had been destroyed by an earthquake in 1117. Built in Romanesque style, the cathedral was consecrated on September 13, 1187. The structure was later modified by several renovation interventions, although the plan has remained unchanged. The façade is divided into three parts, with a pediment and a two storied projecting porch or prot ...San Pietro Castle
Verona was founded to the site of current Castel San Pietro. This green hill, crowned by cypresses, is home to the remains of the first settlements dating back to the 7th century B.C. From this magnificent vantage-point you can enjoy the view of the whole city spreading out, with its network of Roman Roads, its walls, tall towers and steeples and, if your eyesight is good, you can even make out part of the Arena and the P ...Basilica of San Zeno
The Basilica di San Zeno name rests partly on its architecture and partly upon the tradition that its crypt was the place of the marriage of Shakespeare"s Romeo and Juliet. It stands adjacent to a Benedictine abbey, both dedicated to St Zeno of Verona. St. Zeno died in 380. According to legend, at a site above his tomb along the Via Gallica, the first small church was erected by Theodoric the Great, king of the Ostr ...Santi Apostoli Church
Santi Apostoli, with the adjacent Romanesque chapel of the Sante Teuteria e Tosca, is an ancient Roman Catholic church in front of a piazza off Corso Cavour. A church at this site of the Chiesetta was consecrated in 751 on an earlier fifth-century structure, but reconstructed in the 12th-century. Reconstruction of this and Santi Apostoli were pursued across the centuries including major ones in the 18th and 20th-centuries ...Sant'Eufemia Church
The church of Sant"Eufemia is an ancient church in Verona. A church at the site was likely present by the 11th or 12th centuries, although the main layout we see today was completed only in the 14th century. In the interior, altarpieces were completed by Brusasorci and Giovanni Domenico Cignaroli. In the 14th century Spolverini chapel, there is a canvas and frescos by Giovanni Francesco Caroto. The gothic belltower c ...San Fermo Maggiore Church
San Fermo Maggiore is a medieval Romanesque church. A church at this site may has been traced to the 8th century, and by the 11th century a second story and belltower was added by the Benedictine order. The campanile was not completed until the 13th century, it contains six bells in F cast in 1755 and rung with the Veronese bellringing art. The exterior has a roofline with pinnacles, and the church once held the tomb of a ...San Giorgio in Braida
San Giorgio in Braida church was built in the 16th century in the medieval quarter of Veronetta. The 12th-century bell tower is what remains of a monastery built in the 11th century. The facade is marble white with two rows of pillars. The statues of St. George and St. Lorenzo Giustiniani are on sides. The interior has a single nave built between 1536 and 1543, and contains key works of art. Above the main door is a Tinto ...Montorio Castle Ruins
Montorio Castle was presumably a look-out post which was once part of the Verona city fortifications and which is first mentioned in documents dating back to 995 AD. It was subsequently rebuilt by the Aldobrandeschi in the Middle Ages and restructured by the Ottieri and then transformed into a fortified farmhouse after the annexation of the county in the Grand Duchy of Tuscany. Only certain sections of the structure remai ...San Bernardino
San Bernardino was built in Gothic style from 1451 to 1466. The church"s origin are connected to the presence of San Bernardino in the city from 1422, during which he founded a convent of nuns for the order of the Minor Friars and, later, another one for monks. He was canonized in 1450, six years after his death, and in 1451 his successor Giovanni da Capestrano started the construction of a large complex for the orde ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Charlottenburg Palace
Charlottenburg Palace is the largest palace in Berlin and the only surviving royal residence in the city dating back to the time of the Hohenzollern family. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg in what was then the village of Lietzow. Originally named Lietzenburg, the palace was designed by Johann Arnold Nering in baroque style. The inauguration of the palace was celebrated on 11 July 1699, Frederick's 42nd birthday.
Friedrich crowned himself as King Friedrich I in Prussia in 1701 (Friedrich II, known as Frederick the Great, would later achieve the title King of Prussia). Two years previously, he had appointed Johann Friedrich von Eosander (also known as Eosander von Göthe) as the royal architect and sent him to study architectural developments in Italy and France, particularly the Palace of Versailles. On his return in 1702, Eosander began to extend the palace, starting with two side wings to enclose a large courtyard, and the main palace was extended on both sides. Sophie Charlotte died in 1705 and Friedrich named the palace and its estate Charlottenburg in her memory. In the following years, the Orangery was built on the west of the palace and the central area was extended with a large domed tower and a larger vestibule. On top of the dome is a wind vane in the form of a gilded statue representing Fortune designed by Andreas Heidt. The Orangery was originally used to overwinter rare plants. During the summer months, when over 500 orange, citrus and sour orange trees decorated the baroque garden, the Orangery regularly was the gorgeous scene of courtly festivities.
Inside the palace, was a room described as 'the eighth wonder of the world', the Amber Room, a room with its walls surfaced in decorative amber. It was designed by Andreas Schlüter and its construction by the Danish amber craftsman Gottfried Wolfram started in 1701. Friedrich Wilhelm I gave the Amber Room to Tsar Peter the Great as a present in 1716.
When Friedrich I died in 1713, he was succeeded by his son, Friedrich Wilhelm I whose building plans were less ambitious, although he did ensure that the building was properly maintained. Building was resumed after his son Friedrich II (Frederick the Great) came to the throne in 1740. During that year, stables for his personal guard regiment were completed to the south of the Orangery wing and work was started on the east wing. The building of the new wing was supervised by Georg Wenzeslaus von Knobelsdorff, the Superintendent of all the Royal Palaces, who largely followed Eosander's design. The decoration of the exterior was relatively simple but the interior furnishings were lavish. The ground floor was intended for Frederick's wife Elisabeth Christine, who, preferring Schönhausen Palace, was only an occasional visitor. The decoration of the upper floor, which included the White Hall, the Banqueting Hall, the Throne Room and the Golden Gallery, was lavish and was designed mainly by Johann August Nahl. In 1747, a second apartment for the king was prepared in the distant eastern part of the wing. During this time, Sanssouci was being built at Potsdam and once this was completed Frederick was only an occasional visitor to Charlottenburg.
In 1786, Frederick was succeeded by his nephew Friedrich Wilhelm II who transformed five rooms on the ground floor of the east wing into his summer quarters and part of the upper floor into Winter Chambers, although he did not live long enough to use them. His son, Friedrich Wilhelm III came to the throne in 1797 and reigned with his wife, Queen Luise for 43 years. They spent much of this time living in the east wing of Charlottenburg. Their eldest son, Friedrich Wilhelm IV, who reigned from 1840 to 1861, lived in the upper storey of the central palace building. After Friedrich Wilhelm IV died, the only other royal resident of the palace was Friedrich III who reigned for 99 days in 1888.
The palace was badly damaged in 1943 during the Second World War. In 1951, the war-damaged Stadtschloss in East Berlin was demolished and, as the damage to Charlottenburg was at least as serious, it was feared that it would also be demolished. However, following the efforts of Margarete Kühn, the Director of the State Palaces and Gardens, it was rebuilt to its former condition, with gigantic modern ceiling paintings by Hann Trier.
The garden was designed in 1697 in baroque style by Simeon Godeau who had been influenced by André Le Nôtre, designer of the gardens at Versailles. Godeau's design consisted of geometric patterns, with avenues and moats, which separated the garden from its natural surroundings. Beyond the formal gardens was the Carp Pond. Towards the end of the 18th century, a less formal, more natural-looking garden design became fashionable. In 1787 the Royal Gardener Georg Steiner redesigned the garden in the English landscape style for Friedrich Wilhelm II, the work being directed by Peter Joseph Lenné. After the Second World War, the centre of the garden was restored to its previous baroque style.