Kronoberg Castle is a medieval ruin located on an island in lake Helgasjön. In 1444 Lars Mikaelson, the bishop of Växjö, built a stone building on the lakeshore. During the Dano-Swedish War of 1470-1471, Danish forces destroyed the house. It was reconstructed and fortified after peace was restored in 1472. During the Swedish Reformation the castle and its estate were confiscated by Gustav Vasa.
In 1542, during the Dacke War, Kronoberg was taken over by rebels led by Nils Dacke. The revolt was suppressed in 1543, and control reverted to the crown. Due to its strategic location near the border between Sweden and Denmark at the time, the castle was further fortified, and became a stronghold in this part of Småland. The king's son John III ordered additional improvements that never were carried out. The castle had great military significance during the Northern Seven Years War (1564-1570). In the winter of 1568, Eric XIV used Kronoborg as a support point while beating back a Danish attack from Skåne. In 1570 the castle was successfully besieged and burned by the Danes. Between 1576 and 1580 construction continued, after which the castle had at least 50 cannon. Duke Charles continued work on the fortifications, but in the end of January 1612 the castle was again taken and burned by Danish troops under Breide Rantzau. Reconstruction was not started until 1616.
As late as the reign of Charles XI Kronoberg castle was in good condition. However, after the Treaty of Roskilde was signed in 1658, the Swedish-Danish border was moved to Øresund, and Kronoberg castle lost its military significance. Neglected, the building began to decay and became a ruin.
The castle ruin is open to tourists in the summer months. It is located just short drive from Växjö, Sweden.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.