Architectural Work of Le Corbusier

Molitor Building

Immeuble locatif à la porte Molitor is the first appartment block in the world with with glazed façades. It was designed by Le Corbusier in 1931-1934. At the Fourth International Congress of Modern Architecture in Athens, Le Corbusier claimed that the elements of planning were: the sky, trees, steel and cement, and in that order and hierarchy. He claimed that the inhabitants of a city who lived with these el ...
Founded: 1931-1934 | Location: Boulogne-Billancourt, France

Villa Savoye

Villa Savoye is a modernist villa in Poissy, in the outskirts of Paris. It was designed by Swiss architects Le Corbusier and his cousin, Pierre Jeanneret, and built between 1928 and 1931 using reinforced concrete. A manifesto of Le Corbusier"s 'five points' of new architecture, the villa is representative of the bases of modern architecture, and is one of the most easily recognizable and renowned examples ...
Founded: 1928-1931 | Location: Poissy, France

Notre Dame du Haut

The chapel of Notre Dame du Haut in Ronchamp is one of the finest examples of the architecture of Franco-Swiss architect Le Corbusier and one of the most important examples of 20th century religious architecture. It was built between 1953 and 1955. The chapel is a working religious building and attracts 80,000 visitors each year. Notre Dame du Haut is commonly thought of as a more extreme design of Le Corbusier’s l ...
Founded: 1953-1955 | Location: Ronchamp, France

Sainte Marie de La Tourette

Sainte Marie de La Tourette is a Dominican Order priory on a hillside near Lyon designed by architects Le Corbusier and Iannis Xenakis. It was constructed between 1956 and 1960. Le Corbusier"s design of the building began La Tourette is considered one of the most important buildings of the late Modernist style. In July 2016, the building and several other works by Le Corbusier were inscribed as UNESCO World Heritage ...
Founded: 1956-1960 | Location: Lyon, France

Maison La Roche

Villa La Roche, also Maison La Roche, is a house in Paris, designed by Le Corbusier and Pierre Jeanneret in 1923–1925. It was designed for Raoul La Roche, a Swiss banker and collector of avant-garde art. Villa La Roche now houses the Fondation Le Corbusier. La Roche-Jeanneret house, is a pair of semi-detached houses that was Corbusier"s third commission in Paris. They are laid out at right angles to each other ...
Founded: 1923-1925 | Location: Paris, France

Pavillon Le Corbusier

The Pavillon Le Corbusier is a Swiss art museum dedicated to the work of the Swiss architect Le Corbusier. In 1960 Heidi Weber had the vision to establish a museum designed by Le Corbusier – this building should exhibit his works of art in an ideal environment created by the architect himself in the then Centre Le Corbusier or Heidi Weber Museum. It is the last building designed by Le Corbusier marking a radic ...
Founded: 1967 | Location: Zürich, Switzerland

Immeuble Clarté

Immeuble Clarté is an apartment building in Geneva designed by Le Corbusier and Pierre Jeanneret starting from 1928 and built in 1931-32. It has eight storeys and comprises 45 free plan units of diverse configurations and sizes. It is one of Le Corbusier"s key early projects in which he explored the principles of modernist architecture in apartment buildings, which later led to the Unité d"Habita ...
Founded: 1928-1932 | Location: Geneva, Switzerland

Quartiers Modernes Frugés

Quartiers Modernes Frugès is a housing development located in Pessac. It was designed by noted architect Le Corbusier as both an architect and a town planner. It contained some 70 housing units. The building was built as experimental housing for workers. Le Corbusier took into account prevailing social and economic factors, and was determined to build the plan to provide people with low-cost, predetermined, homoge ...
Founded: 1920-1924 | Location: Pessac, France

Maison Guiette

Maison Guiette also known as Les Peupliers, is a house in Antwerp designed by Le Corbusier in 1926 and built in 1927. It was the studio and living quarters of René Guiette, a painter and art critic. One of the Franco-Swiss architect"s lesser-known works, it is an early example of the International Style. In July 2016, the house and several other works by Le Corbusier were inscribed as UNESCO World Heritage Si ...
Founded: 1926-1927 | Location: Antwerp, Belgium

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Porta Nigra

The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.