Sainte Marie de La Tourette is a Dominican Order priory on a hillside near Lyon designed by architects Le Corbusier and Iannis Xenakis. It was constructed between 1956 and 1960. Le Corbusier's design of the building began La Tourette is considered one of the most important buildings of the late Modernist style. In July 2016, the building and several other works by Le Corbusier were inscribed as UNESCO World Heritage Sites.
Under the instigation of Marie-Alain Couturier the Dominicans of Lyon charged Le Corbusier with the task of constructing the priory on a hillside at Éveux. The buildings contain a hundred bedrooms for teachers and students, study halls, a hall for work and one for recreation, a library and a refectory. There is also a church, where the friars worship, and the circulation, which connects all the parts (the achievement of the traditional cloister form is rendered impossible here by the slope of terrain). On two levels, the loggias crowning the building (one for each acoustically isolated monk's cell) form brises-soleil. The study halls, work and recreation halls, as well as the library occupy the upper-level. Below are the refectory and the cloister in the form of a cross leading to the church. And then come the piles carrying the four convent buildings rising from the slope of the terrain left in its original condition, without terracing.
The structural frame is of rough reinforced concrete. The panes of glass located on the three exterior faces were designed by Xenakis. On the other hand, in the garden-court of the cloister, the fenestration is composed of large concrete elements reaching from floor to ceiling, perforated with glazed voids and separated from one another by 'ventilators': vertical slits covered by metal mosquito netting and furnished with a pivoting shutter. The corridors leading to the dwelling cells are lit by a horizontal opening located under the ceiling.
Built as a chapel, residence and place of learning for Dominican friars, the monastery groups around a central courtyard a U-shaped mass, and the court is closed off by the chapel at the end.
At La Tourette many aspects of Corbusier's developed architectural vocabulary are visible – the vertical brise-soleils used with effect in India, light-cannons piercing solid masonry walls, and window-openings separated by Modulor-controlled vertical divisions. In contrast with Ronchamp, the building does not crown and complement the site, but instead dominates the landscape composition.
If there is harmony, it is in the finishes that in their roughness and near-brutality betray some empathy with the life of a friar. La Tourette makes no claim to the effete bourgeois lifestyle embodied at the Villa Savoye; its antecedents, if anything, are the Greek monasteries of Mount Athos and an almost mythological history.References:
The Palace of the Kings of Navarre of Olite was one of the seats of the Court of the Kingdom of Navarre, since the reign of Charles III 'the Noble' until its conquest by Castile (1512). The fortification is both castle and palace, although it was built more like a courtier building to fulfill a military function.
On an ancient Roman fortification was built during the reign of Sancho VII of Navarre (13th century) and extended by his successors Theobald I and Theobald II, which the latter was is installed in the palace in 1269 and there he signed the consent letter for the wedding of Blanche of Artois with his brother Henry I of Navarre, who in turn, Henry I since 1271 used the palace as a temporary residence. This ancient area is known as the Old Palace.
Then the palace was housing the Navarrese court from the 14th until 16th centuries, Since the annexation (integration) of the kingdom of Navarre for the Crown of Castile in 1512 began the decline of the castle and therefore its practically neglect and deterioration. At that time it was an official residence for the Viceroys of Navarre.
In 1813 Navarrese guerrilla fighter Espoz y Mina during the Napoleonic French Invasion burned the palace with the aim to French could not make forts in it, which almost brought in ruin. It is since 1937 when architects José and Javier Yarnoz Larrosa began the rehabilitation (except the non-damaged church) for the castle palace, giving it back its original appearance and see today. The restoration work was completed in 1967 and was paid by the Foral Government of Navarre.