Sainte Marie de La Tourette is a Dominican Order priory on a hillside near Lyon designed by architects Le Corbusier and Iannis Xenakis. It was constructed between 1956 and 1960. Le Corbusier's design of the building began La Tourette is considered one of the most important buildings of the late Modernist style. In July 2016, the building and several other works by Le Corbusier were inscribed as UNESCO World Heritage Sites.
Under the instigation of Marie-Alain Couturier the Dominicans of Lyon charged Le Corbusier with the task of constructing the priory on a hillside at Éveux. The buildings contain a hundred bedrooms for teachers and students, study halls, a hall for work and one for recreation, a library and a refectory. There is also a church, where the friars worship, and the circulation, which connects all the parts (the achievement of the traditional cloister form is rendered impossible here by the slope of terrain). On two levels, the loggias crowning the building (one for each acoustically isolated monk's cell) form brises-soleil. The study halls, work and recreation halls, as well as the library occupy the upper-level. Below are the refectory and the cloister in the form of a cross leading to the church. And then come the piles carrying the four convent buildings rising from the slope of the terrain left in its original condition, without terracing.
The structural frame is of rough reinforced concrete. The panes of glass located on the three exterior faces were designed by Xenakis. On the other hand, in the garden-court of the cloister, the fenestration is composed of large concrete elements reaching from floor to ceiling, perforated with glazed voids and separated from one another by 'ventilators': vertical slits covered by metal mosquito netting and furnished with a pivoting shutter. The corridors leading to the dwelling cells are lit by a horizontal opening located under the ceiling.
Built as a chapel, residence and place of learning for Dominican friars, the monastery groups around a central courtyard a U-shaped mass, and the court is closed off by the chapel at the end.
At La Tourette many aspects of Corbusier's developed architectural vocabulary are visible – the vertical brise-soleils used with effect in India, light-cannons piercing solid masonry walls, and window-openings separated by Modulor-controlled vertical divisions. In contrast with Ronchamp, the building does not crown and complement the site, but instead dominates the landscape composition.
If there is harmony, it is in the finishes that in their roughness and near-brutality betray some empathy with the life of a friar. La Tourette makes no claim to the effete bourgeois lifestyle embodied at the Villa Savoye; its antecedents, if anything, are the Greek monasteries of Mount Athos and an almost mythological history.References:
The Church of Saint Demetrius, or Hagios Demetrios, is the main sanctuary dedicated to Saint Demetrius, the patron saint of Thessaloniki. It is part of the site Palaeochristian and Byzantine Monuments of Thessaloniki on the list of World Heritage Sites by UNESCO since 1988.
The first church on the spot was constructed in the early 4th century AD, replacing a Roman bath. A century later, a prefect named Leontios replaced the small oratory with a larger, three-aisled basilica. Repeatedly gutted by fires, the church eventually was reconstructed as a five-aisled basilica in 629–634. This was the surviving form of the church much as it is today. The most important shrine in the city, it was probably larger than the local cathedral. The historic location of the latter is now unknown.
The church had an unusual shrine called the ciborium, a hexagonal, roofed structure at one side of the nave. It was made of or covered with silver. The structure had doors and inside was a couch or bed. Unusually, it did not hold any physical relics of the saint. The ciborium seems to have been a symbolic tomb. It was rebuilt at least once.
The basilica is famous for six extant mosaic panels, dated to the period between the latest reconstruction and the inauguration of the Byzantine Iconoclasm in 730. These mosaics depict St. Demetrius with officials responsible for the restoration of the church (called the founders, ktetors) and with children. An inscription below one of the images glorifies heaven for saving the people of Thessalonica from a pagan Slavic raid in 615.
Thessaloniki became part of the Ottoman Empire in 1430. About 60 years later, during the reign of Bayezid II, the church was converted into a mosque, known as the Kasımiye Camii after the local Ottoman mayor, Cezeri Kasım Pasha. The symbolic tomb however was kept open for Christian veneration. Other magnificent mosaics, recorded as covering the church interior, were lost either during the four centuries when it functioned as a mosque (1493–1912) or in the Great Thessaloniki Fire of 1917 that destroyed much of the city. It also destroyed the roof and upper walls of the church. Black-and-white photographs and good watercolour versions give an idea of the early Byzantine craftsmanship lost during the fire.
Following the Great Fire of 1917, it took decades to restore the church. Tombstones from the city"s Jewish cemetery - destroyed by the Greek and Nazi German authorities - were used as building materials in these restoration efforts in the 1940s. Archeological excavations conducted in the 1930s and 1940s revealed interesting artifacts that may be seen in a museum situated inside the church"s crypt. The excavations also uncovered the ruins of a Roman bath, where St. Demetrius was said to have been held prisoner and executed. A Roman well was also discovered. Scholars believe this is where soldiers dropped the body of St. Demetrius after his execution. After restoration, the church was reconsecrated in 1949.