Medieval castles in Lombardy

Maccastorna Castle

Maccastorna (or Belpavone) Castle was built inthe 13th century. It has been in hands of several noble families, lates Bevilacqua Veronese family owned it until 1901.
Founded: 13th century | Location: Maccastorna, Italy

Visconti-Castelbarco Castle

On the site of the current Visconti-Castelbarco Castle, a fortification had been existing at least since the 10th century. At the end of the 13th century the castle became a property of the Visconti of Milan. It was then inherited by a lineage originated by Uberto, brother of Matteo Lord of Milan, initially the Visconti di Somma and later the Visconti di Cislago. Destroyed in the 17th century, it was raised again in the ...
Founded: 10th century AD | Location: Cislago, Italy

Cavriana Castle

Towards the 11th century Cavriana became one of the properties of Canossa and it is in this period that the first fortification was probably built. Subsequently to the Canossa the ownership of the village passes to the free Municipality of Mantua that, to defend the boundaries from the growing power of the Municipality of Verona, grants it to the family of the Riva with defensive tasks but, in the second half of the XIII ...
Founded: 11th century | Location: Cavriana, Italy

Castiglione delle Stiviere Castle

The castrum in Castiglione delle Stiviere was founded probably in the 9th century, but it is much altered and restored, especially by the Gonzaga family of Mantua in the 16th century. The castle was home to a cadet branch of the House of Gonzaga, headed by the Marquis of Castiglione. Saint Aloysius Gonzaga (1568–1591) was born there as heir to the marquisate, but became a Jesuit. He died tending plague victims in Rome a ...
Founded: 15th century | Location: Castiglione delle Stiviere, Italy

Frascarolo Castle

The Castello di Frascarolo (Frascarolo castle) or of Medici of Marignano is on the hill on a dominating position between Ganna and Ceresio valleys. It is believed the castle is from the early Middle Ages, perhaps the work of the Longobards, but it’s only documented in 1160 when Archbishop of Milan Oberto da Pirovano upheld a valid resistance to the advancing inhabitants of Como looking to conquer the Varese area. How ...
Founded: 12th century | Location: Frascarolo, Italy

Cuasso Castle Ruins

Known as Castelasc in Lombard local language, the Castle of Cuasso is one of the most important defensive buildings in the province of Varese and Insubria. Founded in medieval times, it stands upon a hill which gives name to the whole city of Cuasso al Monte. Nowadays only ruins remain of the ancient structure. Due to the lack of written sources, the history of the castle is still, in some respects, mysterious. T ...
Founded: 8th century AD | Location: Cuasso al Monte, Italy

Camairago Castle

Camairago Castle was built in the first half of the 15th century by the order of Vitaliano I Borromeo, a nobleman from Milan. Borromeo family still owns the castle. During the first Italian War of Independence it was a headquarters of Austrian field marshall Radetzky in 1848.
Founded: 15th century | Location: Camairago, Italy

Soiano Castle

Soiano Castle overlooks the village of Soiano del Lago. It was built already in the 10th century against the Hungarian invasions and was also the meeting place for the heads of families in Chizzoline and Soiano. In order to oppose the feared Savoy army a further gate was constructed to close the castle. Currently the manor is once again the property of the Commune.
Founded: 10th century AD | Location: Soiano, Italy

Mirabello Castle

The Mirabello Castle is located in Mirabello di Pavia in the area of the Parco Visconteo. The building today is only a wing of the original castle, which was the seat of the Captain of the Park, the authority administering the Parco Visconteo on behalf of the Visconti family. Since the 12th century the area had been occupied by a Cistercians monastery. In 1325 the Fiamberti family of Pavia acquired goods and lands ...
Founded: 1325 | Location: Pavia, Italy

Orino Castle

Rocca di Orino lies on a rocky spur. The first record dates from 1176, however some fortifications were there already in the Roman ages. The castle was a military stronghold in the struggles between the Guelphs and Ghibellines during the thirteenth century until the victory of the Ghibellines. After the Duchy of Milan was created, the castle lost its purpose. It gradually fell into disrepair.
Founded: 12th century | Location: Orino, Italy

Ostiano Castle

Castello di Ostiano was built in the 15th century and finalized around 1511. It was partially demolished in 1860.
Founded: 15th century | Location: Ostiano, Italy

Lozio Castle Ruins

Lozio Castle is located above the village named Villa, built in the late 13th century. Today it lies in ruins.
Founded: 13th century | Location: Villa, Italy

Casarasco Castle

Casarasco castle was built in the 9th century and is one of the oldest in the region. It was one of castles owned by the Malaspina family and was mentioned first time in 1164. The northern wing is only remaining part of the original castle. Today the castle can be reached for example by the nature trail 'Sentiero delle fontane'.
Founded: 9th century AD | Location: Val di Nizza, Italy

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Château de Vaux-le-Vicomte

The Château de Vaux-le-Vicomte is a baroque French château built between 1658-1661 for Nicolas Fouquet. It was made for Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV, the château was an influential work of architecture in mid-17th century Europe. At Vaux-le-Vicomte, the architect Louis Le Vau, the landscape architect André le Nôtre, and the painter-decorator Charles Le Brun worked together on a large-scale project for the first time. Their collaboration marked the beginning of the 'Louis XIV style' combining architecture, interior design and landscape design. The garden's pronounced visual axis is an example of this style.

To secure the necessary grounds for the elaborate plans for Vaux-le-Vicomte’s garden and castle, Fouquet purchased and demolished three villages. The displaced villagers were then employed in the upkeep and maintenance of the gardens. It was said to have employed eighteen thousand workers and cost as much as 16 million livres. The château and its patron became for a short time a focus for fine feasts, literature and arts. The poet La Fontaine and the playwright Molière were among the artists close to Fouquet. At the inauguration of Vaux-le-Vicomte, a Molière play was performed, along with a dinner event organized by François Vatel, and an impressive firework show.

After Fouquet was arrested and imprisoned for life, and his wife exiled, Vaux-le-Vicomte was placed under sequestration. The king seized, confiscated or purchased 120 tapestries, the statues, and all the orange trees from Vaux-le-Vicomte. He then sent the team of artists (Le Vau, Le Nôtre and Le Brun) to design what would be a much larger project than Vaux-le-Vicomte, the palace and gardens of Versailles.

The Marshal Villars became the new owner without first seeing the chateau. In 1764, the Marshal's son sold the estate to the Duke of Praslin, whose descendants would maintain the property for over a century. It is sometimes mistakenly reported that the château was the scene of a murder in 1847, when duke Charles de Choiseul-Praslin, killed his wife in her bedroom, but this did not happen at Vaux-le-Vicomte but at the Paris residence of the Duke.

In 1875, after thirty years of neglect, the estate was sold to Alfred Sommier in a public auction. The château was empty, some of the outbuildings had fallen into ruin, and the famous gardens were totally overgrown. The huge task of restoration and refurbishment began under the direction of the architect Gabriel-Hippolyte Destailleur, assisted by the landscape architect Elie Lainé. When Sommier died in 1908, the château and the gardens had recovered their original appearance. His son, Edme Sommier, and his daughter-in-law completed the task. Today, his descendants continue to preserve the château, which remains privately owned by Patrice and Cristina de Vogüé, the Count and Countess de Vogüé. It is now administered by their three sons Alexandre, Jean-Charles and Ascanio de Vogüé. Recognized by the state as a monument historique, it is open to the public regularly.

Architecture

The chateau is situated near the northern end of a 1.5-km long north-south axis with the entrance front facing north. Its elevations are perfectly symmetrical to either side of this axis. Somewhat surprisingly the interior plan is also nearly completely symmetrical with few differences between the eastern and western halves. The two rooms in the center, the entrance vestibule to the north and the oval salon to the south, were originally an open-air loggia, dividing the chateau into two distinct sections. The interior decoration of these two rooms was therefore more typical of an outdoor setting. Three sets of three arches, those on the entrance front, three more between the vestibule and the salon, and the three leading from the salon to the garden are all aligned and permitted the arriving visitor to see through to the central axis of the garden even before entering the chateau. The exterior arches could be closed with iron gates, and only later were they filled in with glass doors and the interior arches with mirrored doors. Since the loggia divided the building into two halves, there are two symmetrical staircases on either side of it, rather than a single staircase. The rooms in the eastern half of the house were intended for the use of the king, those in the western were for Fouquet. The provision of a suite of rooms for the king was normal practice in aristocratic houses of the time, since the king travelled frequently.

Another surprising feature of the plan is the thickness of the main body of the building (corps de logis), which consists of two rows of rooms running east and west. Traditionally the middle of the corps de logis of French chateaux consisted of a single row of rooms. Double-thick corps de logis had already been used in hôtels particuliers in Paris, including Le Vau's Hôtel Tambonneau, but Vaux was the first chateau to incorporate this change. Even more unusual, the main rooms are all on the ground floor rather than the first floor (the traditional piano nobile). This accounts for the lack of a grand staircase or a gallery, standard elements of most contemporary chateaux. Also noteworthy are corridors in the basement and on the first floor which run the length of house providing privacy to the rooms they access. Up to the middle of the 17th century, corridors were essentially unknown. Another feature of the plan, the four pavilions, one at each corner of the building, is more conventional.

Vaux-le-Vicomte was originally planned to be constructed in brick and stone, but after the mid-century, as the middle classes began to imitate this style, aristocratic circles began using stone exclusively. Rather late in the design process, Fouquet and Le Vau switched to stone, a decision that may have been influenced by the use of stone at François Mansart's Château de Maisons. The service buildings flanking the large avant-cour to the north of the house remained in brick and stone, and other structures preceding them were in rubble-stone and plaster, a social ranking of building materials that would be common in France for a considerable length of time thereafter.

The main chateau is constructed entirely on a moated platform, reached via two bridges, both aligned with the central axis and placed on the north and south sides. The moat is a picturesque holdover from medieval fortified residences, and is again a feature that Le Vau may have borrowed from Maisons. The moat at Vaux may also have been inspired by the previous chateau on the site, which Le Vau's work replaced.

Gardens

The château rises on an elevated platform in the middle of the woods and marks the border between unequal spaces, each treated in a different way. This effect is more distinctive today, as the woodlands are mature, than it was in the seventeenth century when the site had been farmland, and the plantations were new.

Le Nôtre's garden was the dominant structure of the great complex, stretching nearly a mile and a half (3 km), with a balanced composition of water basins and canals contained in stone curbs, fountains, gravel walks, and patterned parterres that remains more coherent than the vast display Le Nôtre was to create at Versailles.

Le Nôtre created a magnificent scene to be viewed from the house, using the laws of perspective. Le Notre used the natural terrain to his advantage. He placed the canal at the lowest part of the complex, thus hiding it from the main perspectival point of view. Past the canal, the garden ascends a large open lawn and ends with the Hercules column added in the 19th century. Shrubberies provided a picture frame to the garden that also served as a stage for royal fêtes.

From the top of the grand staircase, this gives the impression that the entire garden is revealed in one single glance. Initially, the view consists of symmetrical rows of shrubbery, avenues, fountains, statues, flowers and other pieces developed to imitate nature – these elements exemplify the Baroque desire to mold nature to fit its wishes, thus using nature to imitate nature. The centerpiece is a large reflecting pool flanked by grottos holding statues in their many niches. The grand sloping lawn is not visible until one begins to explore the garden, when the viewer is made aware of the optical elements involved and discovers that the garden is much larger than it looks.