Medieval churches in Gotland
Buttle Church
Buttle Church nave and western chancel were built in the late 1100s. It was rebuilt in the early 1200s and again in 1300s. There are frescoes mainly from the 1400s in vaults. The altarpiace dates also from 1400s and triumph cruficix from the 1100s (it is one of the oldest in Gotland). The font was made in mid-1200s and pulpit in early 1700s.Bunge Church
The tower of Bunge Church was originally built for defensive purposes as part of the older church. The present nave and choir were built around 1300. The interior is richly decorated with murals, dating from from the end of 14th century. These magnificent paintings were made probably by Baltic master, who arrived to Gotland with Teutonic Order. The baptismal font and limestone almsbox (with rune inscription: ”Lafra ...Halla Church
The oldest part of Halla Church is the Romanesque nave, dating from circa 1200. The tower is slightly later, while the disproportionally large choir is from the middle of the 14th century, in Gothic style and replacing an older on the same spot. Scholars have concluded that there were plans to replace the whole church with a Gothic edifice, but the builders probably ran out of funds after constructing the choir. The exte ...Ganthem Church
Ganthem church is a well-preserved Romanesque church, finished in the middle of the 13th century. The choir with its apse is the oldest part, dating from the late 12th century. The nave is slightly later, from the beginning of the 13th century while the tower is the most recent addition. Apart from an enlargement of the windows made in the 19th century, and the addition of a sacristy in the 1930s, the church has remained ...Fide Church
Fide Church dates from the 13th century. Oldest are the nave and choir, while the tower was added slightly later. The roof lantern which gives the top of the tower its distinctive shape is however considerably later, from 1826. The church lies in an unusually well-preserved medieval cemetery which is surrounded by a low wall in which three medieval gates still sits. The building material of the church is sandstone. The e ...Alskog Church
The oldest part of the Alskog church is the nave, dating from the first quarter of the 13th century. It displays an unusual southern portal, decorated with sculptures. Inside, the nave is divided in two parts by two central columns and has a vaulted ceiling. The tower is somewhat later but also from the early 13th century. Its portal show similarities with the tower portal of Visby Cathedral. The much larger choir and ves ...Hejdeby Church
Hejdeby Church was built in the 13th century, the choir and nave first (in late Romanesque style) and the tower later (showing early Gothic influences). The interior of the church is richly decorated with medieval frescos. These date from two periods: the oldest are from the 13th century and depict apostles, the crowning of Mary, and various saints. The other set of frescos date from the 15th century and depict scenes fro ...Väte Church
Väte Church was built of stone during the 1300s and is one of the largest in Gotland. It consists of thee naves with arches, sacristy and chancel the north side. The chancel with vestry was built around 1300. The nave is considered to originate from the master Egypticus or his workshop. The triumph crucifix originate from the earlier church (made around 1200) and the baptismal font was carved by master Byzantios in ...Eke Church
The current Eke Church with its Romanesque nave and Gothic tower was predated by a stave church on the same location, fragments of which was found under the floor of the presently visible church in 1916. The stave church had been decorated with paintings in Byzantine style. The oldest part of the current building is the nave and choir, dating from the mid-13th century. The disproportionally massive tower was added in c. 1 ...Vamlingbo Church
In the Medieval Period, Vamlingbo was the largest parish in the south of Gotland. A stone church was built here at a very early date. Remains of the original church can still be seen by way of sculptures that have been incorporated in the south wall of the nave of the new church. The baptismal font is also from the original church. The present church was built of sandstone in the 13th century. The steeple was struck by l ...Atlingbo Church
The foundations of Atlingbo church originate from the 12th century and it is one of the oldest in Gotland. The present church building was erected during the 13th century. Its chancel has Gothic style apsidal plan. The altar dates from the 17th century and benches from the 18th century. The pulpit was made by Rasmus Felderman in 1693. The octagonal sandstone font dates from the 12th century and it is made by master ' ...Stenkyrka Church
According the Gutasaga, a man called Lickajr the Wise built one of the first churches on Gotland in Stenkyrka. If true, this first church was almost certainly wooden. The name Stenkyrka (literally in Swedish stone church) implies that also the stone church is very early, from a time when buildings made of stone (rather than wood) was still a phenomenon unusual enough to give name to a place. This first, Romanesque church ...Gann Church Ruins
Gann Church was built in the middle of the 13th century in the locality of Lärbro. The church consists of a chancel, nave and tower. The tower rests on the west wall of the nave. The tower was presumably built in the late 13th century. The church was presumably abandoned as early as in the 16th century. The chancel and arch contain mural paintings.Elinghem Church Ruins
Elinghem church was built in the 13th century and probably abandoned in the early 17th century. The altar with piscina and baptismal font still remain.Gunnfjauns Chapel Ruins
Gunnfjauns Chapel in Ardre parish was probably built as a chapel for the medieval marketplace of Kaupungsklint in the 1300s. Today it lies in ruins.Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Royal Palace of Aranjuez
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
Real Casa del Labrador
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
King"s Garden, the Island Garden, Parterre Garden and the Prince"s Garden
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.