The oldest part of Ekeby Church is the Romanesque tower, dating from the end of the 12th century. The nave and choir were built around a century later in Gothic style. The tower was also heightened to its present height at the end of the 13th century.
Most notable in the exterior of the church are the two southern portals, which are richly decorated with stone carvings. These were originally painted, and fragments of colour survive. Inside, the church is profusely decorated with frescos. The nave has frescos from the 13th, 14th and 18th century, and the choir from the early 19th century in the form of blue trompe l'oeil draperies. Among the other frescos, the large frescos depicting the apostles are the oldest, from the end of the 13th century. Under them are frescos done by the Master of the Passion of Christ depicting, on the northern wall, the Passion of Christ and, on the southern, the childhood of Jesus. During a renovation in 2004, further frescos were discovered. Originally, all the windows had stained glass panes, but today only a few original remain.
An unusual niche in the choir, probably designed as a storage for the bread and wine from the Eucharist, retains remarkably well-preserved paintings from the end of the 13th century. Among the furnishings, the accomplished Romanesque triumphal cross deserves mention. It is from the end of the 12th century. The sandstonebaptismal font is also an unusual fine piece, from approximately the same time. Scholars believe that it may have been made by either Master Majestatis or Hegvald.
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The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.