Monasteries in Russia

Vyazhishchsky Monastery

The Nikolo-Vyazhishchskii Stavropegial Women"s Monastery was founded in by the monks Efrosiny, Ignaty, and Galaktion and the hieromonk Pimen at the end of the 14th century (a charter from 1391 mentions it), with Pimen becoming the first hegumen of the monastery. It was first mentioned in the chronicle under the year 1411. The monastery was patronized by Archbishop Evfimy II (r. 1429-1458), who was hegumen of the mona ...
Founded: 14th century | Location: Novgorodskaya oblast, Russia

Krypetsky Monastery

Krypetsky Monastery is a Russian Orthodox monastery founded in 1485 by St. Savva Krypetsky, a Serbian monk from Mount Athos. Two years later, the Pskov veche supported his establishment by granting a large plot of land to the monks. Prince Obolensky had a road for pilgrims built through the mire to the monastery. St. Savva died on 28 August 1495 and was interred in the then timber cathedral, which was rebuilt in stone in ...
Founded: 1485 | Location: Pskov, Russia

Krestny Monastery

In 1632 the future Patriarch Nikon attempted to escape from the Solovki to the Kozheozero Monastery in the south. As Nikon later recalled, a tempest broke out and his life was at peril. The monk began to pray to the holy cross and soon his boat was cast a shore on Kiy Island, where he erected a wooden cross to thank heaven. Twenty years later, he went from Novgorod to the Solovki in order to bring the relics of Metropoli ...
Founded: 1656 | Location: Kiy Island, Russia

Ivanovsky Monastery

The Convent of Nativity of Saint John the Baptist is a former Russian Orthodox nunnery in Pskov. It is notable for the katholikon, one of Russia's oldest churches, dating from the first half of the 12th century. The church is located at the city center, on the left bank of the Velikaya River, in the Zavelichye quarter. It currently belongs to Krypetsky Monastery. It is the second oldest building in Pskov after the katholi ...
Founded: 12th century | Location: Pskov, Russia

Arkazhsky Monastery

The Arkazhy Monastery was one of the most important monasteries of medieval Novgorod Republic. All that remains of it today is the Church of the Assumption of the Mother of God, which is visible on the road out to the Yuriev Monastery. The foundations of the medieval monastery were excavated by Soviet archaeologists in 1961. The monastery was founded by and takes its name from Arkadii, who founded it in 1153 prior to his ...
Founded: 1153 | Location: Pankovka, Russia

Goritsky Monastery

The Goritsky Monastery of Resurrection is a Russian Orthodox female monastery in the village of Goritsy. Since the 1970s, the Kirillo-Belozerksy museum-zapovednik of History, Art, and Architecture has operated parts of the Goritsky complex. Parts of Goritsky convent were reopened for religious purposes two decades later, and as of 2011 Goritsky was one of the four acting monasteries in Vologda Oblast, and the only one for ...
Founded: 1544 | Location: Vologodskaya oblast, Russia

Konevsky Monastery

In the Middle Ages, the island of Konevets (Konevitsa or Kononsaari in Finnish) was considered holy by the Finnish tribes who particularly revered a huge boulder in the shape of a horse's skull, weighing more than 750 tons. This boulder is known as Kon’-Kamen’ (literally, "Steed-Stone") and gives its name to the island. The Konevsky monastery was founded around 1393 by St. Arseny Konevsky, who wished to conve ...
Founded: ca. 1393 | Location: Ostrov Konevits, Russia

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King"s Garden, the Island Garden, Parterre Garden and the Prince"s Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.