Stave churches
Rollag Stave Church
Rollag Stave Church was probably originally built in second half of the 12th century, though not much is left of the original church. Originally, the church has been a simple church with a rectangular nave. It was first mentioned in written sources in 1425. It was rebuilt around 1660 into a cruciform church. Around 1760, an additional lining wall was placed on top of the structure and the church was extended to the west.Grip Stave Church
Grip Stave Church is one of Norway"s smallest churches (it is only 12m long and 6,5m wide). The church was built in about 1470 at the island"s highest point. The church is of the Møre type, being structurally similar to the larger Kvernes and Rødven stave churches. Because of the barren nature of the island, there is no cemetery on the church grounds, and bodies had to be buried elsewhere, in the c ...Flesberg Stave Church
Flesberg stave church was probably built around 1200. The first written reference to the church is from 1359. The church was originally a single nave church with four free-standing internal posts bearing a raised central roof, surrounded by an ambulatory or aisles on all four sides. It had a narrower chancel, also with a raised central roof, and a semicircular apse. It was surrounded by a gallery loosely connected to the ...Fåvang Stave Church
Fåvang stave church is a reconstruction of parts of other churches, built 1627-1630. The oldest parts can be dated to c. 1150-1250. Because it has been extensively modified, it is not counted amongst Norways 'real' stave churches. The altar and pulpit are of Renaissance style.Reinli Stave Church
The Reinli Stave Church was built some time during the 14th century. It is the third church at the same location in Reinli. The first references made to a church at this location comes from Olaf Haraldsson who travelled through Valdres in 1023, and also visited Reinli. It is believed that there was a pagan temple at the same location before the first church, some time before 1000. Through radiocarbon dating, logs in the ...Haltdalen Stave Church
Haltdalen Stave Church was originally located in Haltdalen, but today it is on display at the Sverresborg museum in Trondheim. The church was probably built in the 1170s. The church on display is a rebuilt version of two churches from Ålen and Haltdalen. The western wall and the portal is from the old Ålen church. This is a single-nave stave church of the east Scandinavian-style, and it is the only one that is ...Kvernes Stave Church
From ancient times Kvernes has been of great religious and cultural importance at Nordmøre. The excavation of a white phallus stone, a sacred symbol of fertility, supports this fact. The stave church was built around year 1300 and has a rather large main nave (16×7,5 m) with external diagonal props supporting the walls. Several repairs/reconstructions have been carried out. In 1633 the stave-built chancelwas ...Torpo Stave Church
Built in 1192, the Torpo stave church is the oldest building within the valley and traditional district of Hallingdal. The church was dedicated to Saint Margareta. The stave church was purchased by the municipality in 1875. It was initially planned to expand it with an annex to the east, but in 1879 it was decided instead to modernize the interior with new ceiling and gallery. Following protest from the Ancient Monuments ...Hedal Stave Church
The first reference to the Hedal Stave Church is from 1327. The original church was a much smaller single nave church built second half of 12th century. The west entrance remains from the original church. The front portal is one of the oldest, most richly ornamented and among the most beautiful in the whole country. It takes the form of three winged dragons, one on each side of the arch and pilasters of the entrance and o ...Høyjord Stave Church
Høyjord stave church was built in the end of the 11th century. The church was later removed once and rebuilt. Last reconstruction was completed in 1950. The church is also the only stave church which is left in the county of Vestfold.The church is one of two preserved churches having a pillar or post in the middle. In addition tho this central post there are 12 staves, all of which supports the building. Each stave ...Rødven Stave Church
According to a notice board outside the church, the nave and south porch of the Rødven Stave Church date from the 14th century, the crucifix dates from the 13th century and the pulpit from 1712. Inside are an ornately carved crucifix and pulpit. The church is a Møre-type stave church due to its structure and the exterior support posts that brace the walls. During an archeological survey in 1962-1963, marks w ...Hegge Stave Church
The first recorded reference to the Hegge stave church is from 1327. Dendrochronological dating of some of the logs in the church, however, indicates that the church was built around 1216. It is a basilica type church with 8 free-standing interior columns forming an arcade, surrounding a central area with a raised roof. A runic inscription on the church reads: Erling Arnson wrote these runes. The lower story of the bell ...Vang Stave Church
Vang stave church was bought by King Frederick William IV of Prussia and transferred from Vang in the Valdres region of Norway and re-erected in 1842 in Brückenberg near Krummhübel in Silesia, now Karpacz in Poland. It was originally used by a congregation belonging to the Church of Norway, then the Evangelical Church of Prussia, and now serves the Evangelical-Augsburg Church in Poland. The church is ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Royal Palace of Aranjuez
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
Real Casa del Labrador
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
King"s Garden, the Island Garden, Parterre Garden and the Prince"s Garden
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.