Stave churches
Reinli Stave Church
The Reinli Stave Church was built some time during the 14th century. It is the third church at the same location in Reinli. The first references made to a church at this location comes from Olaf Haraldsson who travelled through Valdres in 1023, and also visited Reinli. It is believed that there was a pagan temple at the same location before the first church, some time before 1000. Through radiocarbon dating, logs in the ...Rollag Stave Church
Rollag Stave Church was probably originally built in second half of the 12th century, though not much is left of the original church. Originally, the church has been a simple church with a rectangular nave. It was first mentioned in written sources in 1425. It was rebuilt around 1660 into a cruciform church. Around 1760, an additional lining wall was placed on top of the structure and the church was extended to the west.Lomen Stave Church
Lomen stave church was built in the second half of the 12th century. Through dendrochronological dating the church has been dated to 1179, but the first reference in written sources is not until 1325 and 1334, at that time as 'Hvams kirke'. The church was rebuilt and enlarged in 1779. The church is supported by 4 columns, and has three lavishly carved portals, chancel-arches and column capitals. During the last ...Nore Stave Church
Dendrochronological dating of wood samples indicate that Nore stave church was built after 1167. The church was built with galleries, a chancel and cross naves - an architectural style that was unique in Europe during the Middle Ages. This style is called the Nummedals-type. The church also has a central mast, that was originally the support for a tower, mostly likely containing church bells. The walls and ceiling of the ...Høyjord Stave Church
Høyjord stave church was built in the end of the 11th century. The church was later removed once and rebuilt. Last reconstruction was completed in 1950. The church is also the only stave church which is left in the county of Vestfold.The church is one of two preserved churches having a pillar or post in the middle. In addition tho this central post there are 12 staves, all of which supports the building. Each stave ...Grip Stave Church
Grip Stave Church is one of Norway's smallest churches (it is only 12m long and 6,5m wide). The church was built in about 1470 at the island's highest point. The church is of the Møre type, being structurally similar to the larger Kvernes and Rødven stave churches. Because of the barren nature of the island, there is no cemetery on the church grounds, and bodies had to be buried elsewhere, in the cemetery of Bremsnes Ch ...Flesberg Stave Church
Flesberg stave church was probably built around 1200. The first written reference to the church is from 1359. The church was originally a single nave church with four free-standing internal posts bearing a raised central roof, surrounded by an ambulatory or aisles on all four sides. It had a narrower chancel, also with a raised central roof, and a semicircular apse. It was surrounded by a gallery loosely connected to the ...Hegge Stave Church
The first recorded reference to the Hegge stave church is from 1327. Dendrochronological dating of some of the logs in the church, however, indicates that the church was built around 1216. It is a basilica type church with 8 free-standing interior columns forming an arcade, surrounding a central area with a raised roof. A runic inscription on the church reads: Erling Arnson wrote these runes. The lower story of the bell ...Høre Stave Church
Høre stave church was built in 1180 and rebuilt around 1820. It is the second church on this location, the previous church was a post church (a church with earth-bound posts standing directly on the ground). It is dated through a runic inscription to 1180, and through dendrochronology to 1179. There are a number of graves under the church, including those of children. A runic inscription upon the pulpit reads: The ...Øye Stave Church
Øye stave church is a triple nave stave church and dates from the second half of the 12th century. The church was situated next to the lake Vangsmjøse in Øye. Here, however, the river Rødøla would flood almost every spring and, corpses would be flushed out of their graves. As a result the church was moved, this time to a location further away from the river. In 1747 the church was torn d ...Hedal Stave Church
The first reference to the Hedal Stave Church is from 1327. The original church was a much smaller single nave church built second half of 12th century. The west entrance remains from the original church. The front portal is one of the oldest, most richly ornamented and among the most beautiful in the whole country. It takes the form of three winged dragons, one on each side of the arch and pilasters of the entrance and o ...Hedared Stave Church
Hedared Stave Church is Sweden's only preserved medieval stave church. For a long time it was assumed Hedared stave church dated to early medieval times because it was built as a stave church. Already at the beginning of the 20th century, the archaeologist and architectural historian Emil Ekhoff argued that the church was considerably later than the stave church in Hemse on Gotland, fragments of which he had found under t ...Fåvang Stave Church
Fåvang stave church is a reconstruction of parts of other churches, built 1627-1630. The oldest parts can be dated to c. 1150-1250. Because it has been extensively modified, it is not counted amongst Norways 'real' stave churches. The altar and pulpit are of Renaissance style.Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Palazzo Colonna
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.