In the Medieval Period, Vamlingbo was the largest parish in the south of Gotland. A stone church was built here at a very early date. Remains of the original church can still be seen by way of sculptures that have been incorporated in the south wall of the nave of the new church. The baptismal font is also from the original church.
The present church was built of sandstone in the 13th century. The steeple was struck by lightning in 1817. The top of the tower collapsed, and was replaced by a lower, simpler one. Nine crossed vaults can be seen in the nave, borne up by four sturdy supports.
Many of the murals are of the same age as the church. There is a huge fresco on the north side of the nave interior – it depicts the angel Michael weighing the Emperor Henry’s soul. There are also several tombstones and commemorative paintings in memory of people buried in the church. The reredos date from the 13th century, and the pulpit from 17th century.
The church has also been renovated several times during the 20th century. South of the church is what might be Gotland’s most magnificent parsonage. From the road, you can see the impressive driveway leading to the main house, with two long wings and two pairs of gateposts.
One wing is a barn and the other a cowhouse. The priest’s dwelling-house and two smaller wings, from the late 18th century, are in the house garden. The house is two-storeyed, and has retained its outer appearance. The beautiful entrance has been furnished with striking details in sandstone. The wings originally functioned as a brewhouse, baking oven, meat store and farm-hand’s quarters. The parsonage now houses the Museum Lars Jonsson.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.