In the Medieval Period, Vamlingbo was the largest parish in the south of Gotland. A stone church was built here at a very early date. Remains of the original church can still be seen by way of sculptures that have been incorporated in the south wall of the nave of the new church. The baptismal font is also from the original church.
The present church was built of sandstone in the 13th century. The steeple was struck by lightning in 1817. The top of the tower collapsed, and was replaced by a lower, simpler one. Nine crossed vaults can be seen in the nave, borne up by four sturdy supports.
Many of the murals are of the same age as the church. There is a huge fresco on the north side of the nave interior – it depicts the angel Michael weighing the Emperor Henry’s soul. There are also several tombstones and commemorative paintings in memory of people buried in the church. The reredos date from the 13th century, and the pulpit from 17th century.
The church has also been renovated several times during the 20th century. South of the church is what might be Gotland’s most magnificent parsonage. From the road, you can see the impressive driveway leading to the main house, with two long wings and two pairs of gateposts.
One wing is a barn and the other a cowhouse. The priest’s dwelling-house and two smaller wings, from the late 18th century, are in the house garden. The house is two-storeyed, and has retained its outer appearance. The beautiful entrance has been furnished with striking details in sandstone. The wings originally functioned as a brewhouse, baking oven, meat store and farm-hand’s quarters. The parsonage now houses the Museum Lars Jonsson.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.