The oldest parts of Alva Church are the choir and the apse, dating from the early 13th century. To this the nave was added during the late part of the same century. Construction of the broad tower started about a hundred years later but was never finished; hence the somewhat squat appearance of the church today. It seems in fact that construction of the church came to a rapid end: apart from the half-finished tower, the main southern portal also seems to have been finished in a haphazard, chaotic way.
The choir portal is Romanesque in style and carried some sculpted reliefs, possibly executed by the locally active Master Sigraf. The likewise Romanesque northern portal of the church is also decorated with sculptures.
Inside, the church displays a set of frescos carried out at the end of the Middle Ages, probably just before the reformation and possibly by the same artist who decorated Lau Church. Among the furnishings, the dominating triumphal cross, dating from the middle of the 13th century, and a partly preserved baptismal font, executed by the Romanesque master carver Hegvald sometime during the end of the 12th century, are especially notable. The pulpit dates from 1740 and the unusually decorated altarpiece from 1653. The church was renovated in 1953-54.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.