Built in the Herreriano style, the College of Nosa Señora da Antigais often known as El Escorial of Galicia, being of the few manifestations of this style in this community.
It is forever linked to the figure of its founder, Cardinal Rodrigo de Castro, perhaps the last great ecclesiastical prince of the Renaissance in Spain, Archbishop of Seville, great benefactor of Monforte, and patron of the arts.
The college was a Seminary until 1773 and later a University, displaying up to seven chairs in a time when it was not yet established in the province. Originally run by the Jesuits, their order was expelled from Spain, through the Pragmatic Sanction of 1767 led to the elimination of any existing symbol to remember their existence in the country.
The church has an altar of wood carved by Francisco de Moure which could not be completed in his life and was completed by his son. On one side of the altar it is possible to observe a statue of Cardinal Rodrigo de Castro praying. This was created by John of Bologna and is highly regarded for its perfection and uniqueness. The statue, located above the remains of Cardinal, is confronted with a picture of Our Lady of Antigua. Behind the painting was another tomb which various studies revealed was for the mother of the Cardinal.
The school has two cloisters, and appears to be incomplete in its west wing. The monumental staircase, built from 1594 to 1603, is located in the east wing; its design is built on three arches, without apparent support, that support thirteen, nine thirteen steps each. The ladder is held because of a carefully calculated play of forces. The steps are carved from a single piece of high-quality granite. On the ground, drawing of the projection of the staircase can be seen, drawn for its construction.
An art gallery is also located there highlighting several works by El Greco. Foremost among these is a masterly painting of Francis of Assisi holding a skull. According to critics and experts, it is a work of such high quality that it matches or even exceeds that of the known works of the artist, constituting one of his crowning achievements. His San Lorenzo (Lawrence of Rome) is also a very popular work, being one of the few devotional paintings done by the painter on his arrival in Toledo, where it was purchased by Rodrigo de Castro during his time in the Inquisition.References:
Fisherman's Bastion is a terrace in neo-Gothic and neo-Romanesque style situated on the Buda bank of the Danube, on the Castle hill in Budapest, around Matthias Church. It was designed and built between 1895 and 1902 on the plans of Frigyes Schulek. Construction of the bastion destabilised the foundations of the neighbouring 13th century Dominican Church which had to be pulled down. Between 1947–48, the son of Frigyes Schulek, János Schulek, conducted the other restoration project after its near destruction during World War II.
From the towers and the terrace a panoramic view exists of Danube, Margaret Island, Pest to the east and the Gellért Hill.
Its seven towers represent the seven Magyar tribes that settled in the Carpathian Basin in 896.
The Bastion takes its name from the guild of fishermen that was responsible for defending this stretch of the city walls in the Middle Ages. It is a viewing terrace, with many stairs and walking paths.
A bronze statue of Stephen I of Hungary mounted on a horse, erected in 1906, can be seen between the Bastion and the Matthias Church. The pedestal was made by Alajos Stróbl, based on the plans of Frigyes Schulek, in Neo-Romanesque style, with episodes illustrating the King's life.