The Museo Archeologico Regionale Paolo Orsi is one of the principal archaeological museums of Europe.
In 1780 the Bishop Alagona inaugurated the Museo del Seminario which became the Museo Civico near the archbishop's house in 1808. Subsequently, a royal decree of 1878 sanctioned the creation of the Museo Archeologico Nazionale di Siracusa, which was only inaugurated in 1886, in its historic location on the cathedral square.
From 1895 to 1934 Paolo Orsi directed the museum, but the increasing number of finds made a new space necessary at the current location in the garden of the villa Landolina. The new museum space, designed by the architect Franco Minissi was inaugurated in January 1988, with two floors of 9,0002. Initially only one floor and a basement of 3,000 m2 containing an auditorium were open to the public.
In 2006, a new exhibition area on the upper floor was inaugurated, dedicated to the classical period, but more space still remained unused. In 2014 a final expansion allowed the display of the Sarcophagus of Adelphia and other finds from the catacombs of Syracuse.
The museum contains artefacts from the prehistoric, Greek and Roman periods found in archaeological excavations in the city and other sites in Sicily.
Located next to the ancient Villa Landolina, outside the Museum, it is possible to visit the park opposite with finds from the Greek and Roman periods, as well as a non-Catholic cemetery with the tomb of the poet August von Platen.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.