The origins of the Calatubo Castle date back to some years before 1093, the year in which Roger I of Sicily defined the boundaries of the diocese of Mazara that included 'Calatubo with all its dependencies'.
In ancient times, around the castle there was the village of Calatubo, which based its business on the extraction of stones for water and wind mills from the quarries around the creek Finocchio, as mentioned by the Arab geographer Muhammad al-Idrisi in The Book of Roger, written in 1154.
The village of Calatubo was abandoned after the conquest by Frederick II and the castle lost its original function as a military fortress, turning into a farm. During this period, the castle joined warehouses, stables and other structures used for the administration of the agricultural fief of Calatubo.
Since the Middle Ages, because of its visibility, the Calatubo Castle had an important strategic role: it was part of a line of towers and forts along the coast from Palermo to Trapani; this defensive line was used to transmit light signals in case of Saracens' attack. In particular, the castle of Calatubo guaranteed the flow of information that took place between the outposts of Carini, Partinico and Castellammare del Golfo.
At the end of the nineteenth century in the second courtyard some warehouses were set up for the production of the wine 'Calatubo'.
The castle remained in good condition until the 1968 Belice earthquake. The use of the structure as a sheepfold and illegal excavations, which had as their targets the finds of the necropolis of the seventh century BC pertaining to the castle, have further ruined the castle. In 2007 it was bought by the municipality of Alcamo and over the past few years.
The Calatubo Castle is actually an architectural complex, consisting of the structure of the original castle that has undergone several changes over the centuries. This complex is large 150×35 meters and stands on a limestone rock that lies at an altitude of about 152 m above sea level and that dominate with its height the surrounding area. From the position of castle you can clearly see Mount Bonifato and the Gulf of Castellammare.
The castle is inaccessible on three sides due to the steep walls of rock on which it is built. The only practicable access is located in the west, which leads to the first line of defense of the castle via a ramp with large steps. From the first line of defense, which includes among other things a well, a church hall and other premises, you can arrive at a court which communicates with the second circle of walls through a portal, up to the third circle of walls, which comprises an oblong tower. Finally the core of the castle, located in the southern part of the fortress, is rectangular with an area of 7×21.50 m.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.