The remains of Poggiodiana Castle, or Misilcassino Castle, of Ribera are constituted by part of the perimeter walls and two towers, a quadrangular portion and a cylindrical, 25 meters in height and about 30 meters in circumference, of particular interest for the characteristic crowning corbels. Developed in about 3000 m² with an irregular plan, from the north side svettava on a precipice of over 300 meters, at the foot of which flows the river vegetables, east one sees the village of La Ribera. The fortress was firmly closed by an alignment of internal manufactured high approximately 20 meters and reinforced by a second defense wall. From a door on the sixth acute reached a second courtyard, where insisted the guard post with the accommodation of squires and the armoury, and opened the magazines and the scuderia. From the courtyard, thanks to the stairs, you saliva on the upper floors, where the lords were staying in the large apartments.
The castle was built in the 12th century by the Normans in defense of small neighboring communities and land between the Platani (Eraclea Minoa) and Triocala (Caltabellotta), and known until the 14th century with the name saraceno of Misilcassino, i.e. place of descent on horseback. Granted to Maletta family, from these was inherited by Scaloro degli Uberti, who made himself guilty of perfidy you saw confiscate the castle that was given to Monterosso for subsequently passes to the Chiaramonte and Guglielmo Peralta. In the fifteenth century it passed into the possession of the Counts Luna, in memory of these changed its name to take finally the appellative of Castello di Poggiodiana in honor of the noblewoman Diana Moncada, daughter of the prince of Paternò Luigi Guglielmo Moncada and wife of Vincenzo Luna.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.