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Brodie Castle is a well-preserved Z plan castle located about 5.5 kilometres west of Forres, in Moray. The original Z-plan castle was built in 1567 by Clan Brodie but was destroyed by fire in 1645 by Lewis Gordon of Clan Gordon, the 3rd Marquis of Huntly. In 1824, architect William Burn was commissioned to convert it into a large mansion house in the Scots Baronial style, but these additions were never completed and were later remodelled by James Wylson (c. 1845).
The Brodie family called the castle home until the early 21st century. It is widely accepted that the Brodies have been associated with the land on which the castle is built since around 1160, when it is believed that King Malcolm IV gave the land to the family.
Architecturally, the castle has a very well-preserved 16th-century central keep with two 5-storey towers on opposing corners. The interior of the castle is also well preserved, containing fine antique furniture, oriental artifacts and painted ceilings, largely dating from the 17th–19th centuries.
Today the castle and surrounding policies, including a national daffodil collection, are owned by the National Trust for Scotland and are open to the public to visit throughout the year. The castle may be hired for weddings and indoor or outdoor events. An ancient Pictish monument known as Rodney's Stone can be seen in the castle grounds.
References:The St Sophia's Cathedral was built between 1045-1050 inside the Novgorod Kremlin (fortress). It is one of the earliest stone structures of northern Russia. Its height is 38 m. Originally it was taller, for during the past nine centuries the lower part of the building became concealed by the two-metre thick cultural layer. The cathedral was built by Prince Vladimir, the son of Yaroslav the Wise, and until the 1130s this principal church of the city also served as the sepulchre of Novgorodian princes. For the Novgorodians, St Sophia became synonymous with their town, the symbol of civic power and independence.
The five-domed church looks simpler but no less impressive than its prototype, the thirteen-domed St Sophia of Kiev. The cathedral exterior is striking in its majesty and epic splendour evoking the memories of Novgorod's glorious past and invincible might. In the 11th century it looked more imposing than now. Its facade represented a gigantic mosaic of huge, coarsely trimmed irregular slabs of flagstone and shell rock. In some places (particularly on the apses), the wall was covered with mortar, smoothly polished, drawn up to imitate courses of brick or of whitestone slabs, and slightly coloured. As a result, the facade was not white, as it is today, but multicoloured. The play of stone, decorative painting and the building materials of various texture enhanced the impression of austere simplicity and introduced a picturesque effect.
The two-storied galleries extend along the building's southern, western and northern sides, with a stair-tower constructed at the north-eastern corner. The cathedral has three entrances - the southern, western and northern, of which the western was the main one intended for ceremonial processions. A gate standing at the entrance is known as the Sigtuna Gate (mid-12th century); according to legend, it was brought from the Swedish town of Sigtuna in 1187. The second name of the gate derives from the town of Magdeburg, where it was made. The two leaves are decorated with biblical and evangelical scenes in cast bronze relief. In the lower left corner there are portraits of the craftsmen who created this superb specimen of medieval Western European bronze-work. An inscription in Latin gives their names, Riquin and Weissmut. The small central figure - judging from an inscription in Slavonic - is a representation of the Russian master craftsman Avraam, who assembled the gate.
There is yet another bronze gate in the cathedral, called the Korsun Gate. Made in the 11th century in Chersonesos, Byzantium, it leads from the southern gallery into the Nativity Side-Chapel. Legend has it that the gate was handed over to Novgorod as a gift of Prince Yaroslav the Wise (c. 978 - 1054).
The interior of the cathedral is as majestic as its exterior. It is divided by huge piers into five aisles, three of which end in altar apses. In the south-western corner, inside the tower, there is a wide spiral in relatively small, modest buildings of the 12th - 16th centuries.