The Clava cairn is a type of Bronze Age circular chamber tomb cairn, named after the group of 3 cairns at Balnuaran of Clava, to the east of Inverness. There are about 50 cairns of this type in an area round about Inverness.
At Balnuaran of Clava itself there is a group of three Bronze Age cairns which lie close together in a line running north east to south west. The tombs at either end are of the passage grave sub-type. The central cairn is of the ring cairn sub-type, and uniquely has stone paths or causeways forming 'rays' radiating out from the platform round the kerbs to three of the standing stones. The cairns incorporate cup and ring mark stones, carved before they were built into the structures. The kerb stones are graded in size and selected for colour, so that the stones are larger and redder to the south west, and smaller and whiter to the north east. All these elements seem to have been constructed as one operation and indicate a complex design rather than ad hoc additions.
The ring round the northern Balnuaran of Clava cairn was measured and analysed by Professor Alexander Thom. He found that the ring was slightly egg-shaped with a complex geometry of circles and ellipses which could be set out around a central triangle, using sizes which are close to whole multiples of what he called the Megalithic yard. While the geometry of the shape is generally accepted, the Megalithic Yard is more controversial.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.