Cawdor Castle is built around a 15th-century tower house, with substantial additions in later centuries. Originally a property of the Clan Calder, it passed to the Campbells in the 16th century. It remains in Campbell ownership, and is now home to the Dowager Countess Cawdor, stepmother of Colin Campbell, 7th Earl Cawdor.
The castle is perhaps best known for its literary connection to William Shakespeare's tragedy Macbeth, in which the title character is made 'Thane of Cawdor'. However, the story is highly fictionalised, and the castle itself, which is never directly referred to in Macbeth, was built many years after the life of the 11th-century King Macbeth.
The earliest documented date for the castle is 1454, the date a licence to fortify was granted to William Calder, 6th Thane of Cawdor. However, some portions of the 15th-century tower house or keep may precede that date. The iron gate here was brought from nearby Lochindorb Castle, which was dismantled by William around 1455, on the orders of King James II, after it had been forfeited by the Earl of Moray.
The castle was expanded numerous times in the succeeding centuries. In 1510 the heiress of the Calders, Muriel, married Sir John Campbell of Muckairn, who set about extending the castle. Further improvements were made by John Campbell, 3rd of Cawdor (c.1576 - c.1642), who purchased rich lands on Islay. By 1635 a garden had been added, and after the Restoration Sir Hugh Campbell of Cawdor added or improved the north and west ranges, employing the masons James and Robert Nicolson of Nairn.
In the 1680s Sir Alexander Campbell, son of Sir Hugh, became stranded in Milford Haven during a storm, where he met a local heiress, Elizabeth Lort of Stackpole Court. The two were married and afterwards the Campbells of Cawdor lived mainly on their estates in Pembrokeshire. Cawdor was home to younger brothers of the family who continued to manage the estates, building a walled flower garden in 1720, and establishing extensive woodlands in the later 18th century.
John Campbell of Cawdor, a Member of Parliament, married a daughter of the 5th Earl of Carlisle in 1789, and was ennobled as Baron Cawdor in 1796. His son was created 1st Earl Cawdor in 1827. During the 19th century, Cawdor was used as a summer residence by the Earls. The architects Thomas Mackenzie and Alexander Ross were commissioned to add the southern and eastern ranges to enclose a courtyard, accessed by a drawbridge. In the 20th century John Campbell, 5th Earl Cawdor, moved permanently to Cawdor and was succeeded by the 6th Earl, whose second wife the Dowager Countess Angelika lives there still. In 2001 it was reported that the Countess had prevented her stepson from sowing genetically modified rapeseed on the Cawdor estate, and in 2002 the Countess took the Earl to court after he moved into the castle while she was away.
The castle is known for its gardens, which include the Walled Garden (originally planted in the 17th Century), the Flower Garden (18th century), and the Wild Garden (added in the 1960s). In addition, the castle property includes a wood featuring numerous species of trees (as well as over 100 species of lichen).References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.