Cawdor Castle is built around a 15th-century tower house, with substantial additions in later centuries. Originally a property of the Clan Calder, it passed to the Campbells in the 16th century. It remains in Campbell ownership, and is now home to the Dowager Countess Cawdor, stepmother of Colin Campbell, 7th Earl Cawdor.
The castle is perhaps best known for its literary connection to William Shakespeare's tragedy Macbeth, in which the title character is made 'Thane of Cawdor'. However, the story is highly fictionalised, and the castle itself, which is never directly referred to in Macbeth, was built many years after the life of the 11th-century King Macbeth.
The earliest documented date for the castle is 1454, the date a licence to fortify was granted to William Calder, 6th Thane of Cawdor. However, some portions of the 15th-century tower house or keep may precede that date. The iron gate here was brought from nearby Lochindorb Castle, which was dismantled by William around 1455, on the orders of King James II, after it had been forfeited by the Earl of Moray.
The castle was expanded numerous times in the succeeding centuries. In 1510 the heiress of the Calders, Muriel, married Sir John Campbell of Muckairn, who set about extending the castle. Further improvements were made by John Campbell, 3rd of Cawdor (c.1576 - c.1642), who purchased rich lands on Islay. By 1635 a garden had been added, and after the Restoration Sir Hugh Campbell of Cawdor added or improved the north and west ranges, employing the masons James and Robert Nicolson of Nairn.
In the 1680s Sir Alexander Campbell, son of Sir Hugh, became stranded in Milford Haven during a storm, where he met a local heiress, Elizabeth Lort of Stackpole Court. The two were married and afterwards the Campbells of Cawdor lived mainly on their estates in Pembrokeshire. Cawdor was home to younger brothers of the family who continued to manage the estates, building a walled flower garden in 1720, and establishing extensive woodlands in the later 18th century.
John Campbell of Cawdor, a Member of Parliament, married a daughter of the 5th Earl of Carlisle in 1789, and was ennobled as Baron Cawdor in 1796. His son was created 1st Earl Cawdor in 1827. During the 19th century, Cawdor was used as a summer residence by the Earls. The architects Thomas Mackenzie and Alexander Ross were commissioned to add the southern and eastern ranges to enclose a courtyard, accessed by a drawbridge. In the 20th century John Campbell, 5th Earl Cawdor, moved permanently to Cawdor and was succeeded by the 6th Earl, whose second wife the Dowager Countess Angelika lives there still. In 2001 it was reported that the Countess had prevented her stepson from sowing genetically modified rapeseed on the Cawdor estate, and in 2002 the Countess took the Earl to court after he moved into the castle while she was away.
The castle is known for its gardens, which include the Walled Garden (originally planted in the 17th Century), the Flower Garden (18th century), and the Wild Garden (added in the 1960s). In addition, the castle property includes a wood featuring numerous species of trees (as well as over 100 species of lichen).References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.