Cawdor Castle is built around a 15th-century tower house, with substantial additions in later centuries. Originally a property of the Clan Calder, it passed to the Campbells in the 16th century. It remains in Campbell ownership, and is now home to the Dowager Countess Cawdor, stepmother of Colin Campbell, 7th Earl Cawdor.
The castle is perhaps best known for its literary connection to William Shakespeare's tragedy Macbeth, in which the title character is made 'Thane of Cawdor'. However, the story is highly fictionalised, and the castle itself, which is never directly referred to in Macbeth, was built many years after the life of the 11th-century King Macbeth.
The earliest documented date for the castle is 1454, the date a licence to fortify was granted to William Calder, 6th Thane of Cawdor. However, some portions of the 15th-century tower house or keep may precede that date. The iron gate here was brought from nearby Lochindorb Castle, which was dismantled by William around 1455, on the orders of King James II, after it had been forfeited by the Earl of Moray.
The castle was expanded numerous times in the succeeding centuries. In 1510 the heiress of the Calders, Muriel, married Sir John Campbell of Muckairn, who set about extending the castle. Further improvements were made by John Campbell, 3rd of Cawdor (c.1576 - c.1642), who purchased rich lands on Islay. By 1635 a garden had been added, and after the Restoration Sir Hugh Campbell of Cawdor added or improved the north and west ranges, employing the masons James and Robert Nicolson of Nairn.
In the 1680s Sir Alexander Campbell, son of Sir Hugh, became stranded in Milford Haven during a storm, where he met a local heiress, Elizabeth Lort of Stackpole Court. The two were married and afterwards the Campbells of Cawdor lived mainly on their estates in Pembrokeshire. Cawdor was home to younger brothers of the family who continued to manage the estates, building a walled flower garden in 1720, and establishing extensive woodlands in the later 18th century.
John Campbell of Cawdor, a Member of Parliament, married a daughter of the 5th Earl of Carlisle in 1789, and was ennobled as Baron Cawdor in 1796. His son was created 1st Earl Cawdor in 1827. During the 19th century, Cawdor was used as a summer residence by the Earls. The architects Thomas Mackenzie and Alexander Ross were commissioned to add the southern and eastern ranges to enclose a courtyard, accessed by a drawbridge. In the 20th century John Campbell, 5th Earl Cawdor, moved permanently to Cawdor and was succeeded by the 6th Earl, whose second wife the Dowager Countess Angelika lives there still. In 2001 it was reported that the Countess had prevented her stepson from sowing genetically modified rapeseed on the Cawdor estate, and in 2002 the Countess took the Earl to court after he moved into the castle while she was away.
The castle is known for its gardens, which include the Walled Garden (originally planted in the 17th Century), the Flower Garden (18th century), and the Wild Garden (added in the 1960s). In addition, the castle property includes a wood featuring numerous species of trees (as well as over 100 species of lichen).References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.